@article{ART002309138},
author={이영민},
title={The Political Connotations in Musical Activities of Elizabethan-Era England},
journal={Journal of the Korean Society for Musicology},
year={2017},
volume={25},
number={2},
pages={7-50},
doi={10.34303/mscol.2017.25.2.001}
TY - JOUR
AU - 이영민
TI - The Political Connotations in Musical Activities of Elizabethan-Era England
JO - Journal of the Korean Society for Musicology
PY - 2017
VL - 25
IS - 2
PB - The Korean Society for Musicology
SP - 7
EP - 50
AB - Elizabeth I of England(1533–1603) was the sovereign who reigned during the golden age of English Renaissance music. Her monarchy was marked by culture, spectacle and stability, and helped foster a wave of loyalty and popularity known as “The Cult of Elizabeth.” Elizabeth herself enjoyed music and dance, with music functioning in very important roles, accompanying various events and occasions, both in and out of court.
The Queen was known to play the virginal or lute, and even utilized music for political purposes. For example, her courtiers and nobles' music-making not only entertained the monarch, but it also conveyed their opinions and petitions to her, as well. The same went for musicians who showcased their talents while making petitions to the Queen throughout their performances.
This study focuses on the political connotations in musical activities during the age of Elizabeth I of England. Examples of political music will be reviewed after an examination of the Queen’s association with arts, language and literature, which helped craft her image and advance “The Cult of Elizabeth.” Mentioned are private performances provided by the Queen and courtiers; music related to the Queen's annual progresses and her tournaments; and petitions by musicians related to these events.
KW - music and politics;Elizabethan Era;musical activities in the Age of Elizabeth I;music in Renaissance England;image-making of Elizabeth I
DO - 10.34303/mscol.2017.25.2.001
ER -
이영민. (2017). The Political Connotations in Musical Activities of Elizabethan-Era England. Journal of the Korean Society for Musicology, 25(2), 7-50.
이영민. 2017, "The Political Connotations in Musical Activities of Elizabethan-Era England", Journal of the Korean Society for Musicology, vol.25, no.2 pp.7-50. Available from: doi:10.34303/mscol.2017.25.2.001
이영민 "The Political Connotations in Musical Activities of Elizabethan-Era England" Journal of the Korean Society for Musicology 25.2 pp.7-50 (2017) : 7.
이영민. The Political Connotations in Musical Activities of Elizabethan-Era England. 2017; 25(2), 7-50. Available from: doi:10.34303/mscol.2017.25.2.001
이영민. "The Political Connotations in Musical Activities of Elizabethan-Era England" Journal of the Korean Society for Musicology 25, no.2 (2017) : 7-50.doi: 10.34303/mscol.2017.25.2.001
이영민. The Political Connotations in Musical Activities of Elizabethan-Era England. Journal of the Korean Society for Musicology, 25(2), 7-50. doi: 10.34303/mscol.2017.25.2.001
이영민. The Political Connotations in Musical Activities of Elizabethan-Era England. Journal of the Korean Society for Musicology. 2017; 25(2) 7-50. doi: 10.34303/mscol.2017.25.2.001
이영민. The Political Connotations in Musical Activities of Elizabethan-Era England. 2017; 25(2), 7-50. Available from: doi:10.34303/mscol.2017.25.2.001
이영민. "The Political Connotations in Musical Activities of Elizabethan-Era England" Journal of the Korean Society for Musicology 25, no.2 (2017) : 7-50.doi: 10.34303/mscol.2017.25.2.001
