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Thesmophoria and the Aristophanes’ Thesmophoriazusae

  • Journal of Humanities, Seoul National University
  • 2018, 75(3), pp.53-78
  • DOI : 10.17326/jhsnu.75.3.201808.53
  • Publisher : Institute of Humanities, Seoul National University
  • Research Area : Humanities > Other Humanities
  • Received : July 26, 2018
  • Accepted : August 1, 2018
  • Published : August 31, 2018

Jang Sieun 1

1서울대학교

Accredited

ABSTRACT

The aim of the article is to analyze how the Thesmophoria is depicted in the Thesmophoriazusae and to explain the meaning of Aristophanes’ ‘women’s play.’ This article overviews summarizes the events of the Thesmophoria and analyzes the parodies of the Euripidean tragedies and the chorus’ parabasis in the play. In the play, Euripides was accused of misogyny at the Thesmophoria and his in-laws sneaked into the festival to defend Euripides but were discovered and caught. They try to secure their release by parodying Euripides’ four tragedies but fail. In the end, they are released thanks to the reconciliation between Euripides and the women; and Euripides’ comic play. All the parodies used in the process are based on the motif of the Demeter-Persephone myth, the background myth of Thesmophoria. Aristophanes links the events of the Thesmophoria to its background myth, while connecting the festival to the City Dionysia during which the play is performed. By linking the two festivals, Aristophanes wishes for peace in the city, seeking harmony between women and men, and criticizing men's doubled-edged attitudes toward women.

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