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The Diasporic Subject and Ambivalent Liminality in the Poetry of Kim Jong-sam

  • Journal of Humanities, Seoul National University
  • 2025, 82(3), pp.371~408
  • DOI : 10.17326/jhsnu.82.3.202508.371
  • Publisher : Institute of Humanities, Seoul National University
  • Research Area : Humanities > Other Humanities
  • Received : April 10, 2025
  • Accepted : May 17, 2025
  • Published : August 31, 2025

Jinyoung Seo 1

1서울대학교

Accredited

ABSTRACT

This study explores the diasporic consciousness embedded in the poetry of Kim Jong-sam, focusing on the Stimmung of guilt and existential anxiety as a fundamental mode of world-relation. Kim’s poetic subject emerges as a diasporic subject, estranged from the sacred due to a fractured relationship with the divine, and confined to a fallen world marked by silence and suffering. The speaker’s sense of alienation is intensified by the historical experience of exile and physical pain, which foregrounds a deep confrontation with the perceived absence of God. Caught between the affirmation of divine absence and a persistent yearning for sacred presence, the subject embodies a paradoxical condition: unable to fully reject the sacred, yet feeling unworthy of reentering it. This tension is articulated through conflicting images such as “the God who is alive” versus “the God who does not hold my hand.” Within this framework, poetry and music are not simply aesthetic forms of selfsalvation, but symbolic gestures that express the interplay of contradictory desires: denial and longing, despair and hope. Ultimately, Kim Jong-sam’s poetry becomes a site of unresolved tension, where the absence of redemption coexists with the persistent longing for divine presence. His work articulates the tragic condition of the diasporic self—one that seeks grace in the silence of God, suspended in the space between abandonment and hope.

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