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The Bodies of Cold War Refugees as Seen Through Aimless Bullet

  • Journal of Humanities, Seoul National University
  • 2025, 82(4), pp.341~367
  • DOI : 10.17326/jhsnu.82.4.202511.341
  • Publisher : Institute of Humanities, Seoul National University
  • Research Area : Humanities > Other Humanities
  • Received : November 14, 2025
  • Accepted : November 27, 2025
  • Published : November 30, 2025

Na Boryeong 1

1한국해양대학교

Accredited

ABSTRACT

Aimless Bullet, widely recognized for its realist portrayal of the uprooted lives of postwar refugees from the North and the struggles of urban poverty, can be reinterpreted as a text that offers a new approach to the question of how to represent the bodies of refugees in the Cold War era. The film consistently attends to refugee bodies that have been rendered invisible within the postwar social reality and afflicted by the trauma of war. At the same time, it represents these bodies as active agents that resist the cinematic mechanisms that turn war trauma into spectacle and invite narcissistic identification from viewers. Alongside this project of repositioning refugee bodies within the filmic regime of representation, this article examines, from the perspective of Cold War cosmopolitanism, the decolonial effects of Aimless Bullet. Specifically, it explores how the film adopts stylistic elements from contemporary Hollywood and European cinema while exposing and critiquing the system that continuously reproduces refugees under the ideology of Cold War modernity and nation-state reconstruction, as mediated through the urban spaces of postwar Seoul and its refugee crisis.

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