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Realist Drama and Ecological Imagination: Lucy Kirkwood’s The Children and the Staging of Climate Crisis

  • Journal of Humanities, Seoul National University
  • 2026, 83(3), pp.97~122
  • Publisher : Institute of Humanities, Seoul National University
  • Research Area : Humanities > Other Humanities
  • Received : July 20, 2026
  • Accepted : August 10, 2026
  • Published : August 31, 2026

Eunha Na 1

1서울대학교

Accredited

ABSTRACT

This article examines Lucy Kirkwood’s The Children (2016) as a realist drama that stages climate crisis not by abandoning theatrical convention but by reworking it from within. Against ecotheatre’s frequent suspicion of natur alism and the humancentered stage, it argues that Kirkwood’s domestic realism makes ecological catastrophe perceptible through ordinary space, objects, bodies, and conflict. Set after a nuclear disaster inspired by Fukushima, the play confines environmental violence to a tilted cottage, everyday routines, and the strained reunion of three retired scientists. In this setting, the house ceases to be a secure human interior and becomes an ecological oikos penetrated by radiation, erosion, water, aging bodies, and intergenerational debt. By tracing how realism makes slow violence perceptible through ordinary spaces, bodies, and relationships, the article reconsiders the ecological potential of theatrical realism and imagines the theatre not as a closed house but as an open garden for ecological attention and responsibility.

Citation status

* References for papers published after 2025 are currently being built.

This paper was written with support from the National Research Foundation of Korea.