@article{ART002170243},
author={CHUNG, Eungsoo},
title={Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - },
journal={Journal of Japanese Culture},
issn={1226-3605},
year={2016},
number={71},
pages={261-279},
doi={10.21481/jbunka..71.201611.261}
TY - JOUR
AU - CHUNG, Eungsoo
TI - Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo -
JO - Journal of Japanese Culture
PY - 2016
VL - null
IS - 71
PB - The Japanese Culture Association Of Korea (Jcak)
SP - 261
EP - 279
SN - 1226-3605
AB - Zhèng Chénggōng, regarded as Jeongdoryeong -with a focus on Yeonpyeongchoryeonguimodo-
Chung, Eung-Soo
The present paper, with a focus on Yeonpyeongchoryeonguimodo, discusses the connection between Jeongdoryeong and Zhèng Chénggōng, who campaigned against the Cheong Dynasty and for the Myeong Dynasty. Yeonpyeongchoryeonguimodo depicts the early childhood of Zhèng Chénggōng living with his mother in Hirado, and its author is unknown. It is assumed that it was painted by a Korean in the late 18th century, as Choi Book's trip to Japan was recognized in the work.
At that time, Jeonggamrok was very popular in the Chosun Dynasty. Zhèng Chénggōng, whose last name happened to be the same as Jeongdoryeong, had a base on the island in the south(Taiwan), and also very strong military power. That is, he possessed all the qualifications to be considered as the naval True Man, who was expected to raise troops in the south, destroy the Chosun Dynasty and construct a new Kingdom. Thus, it can be interpreted in such a way that Yeonpyeongchoryeonguimodo depicted the early childhood, not adulthood, of Zhèng Chénggōng in order to imply the messiah Jeongdoryeong.
KW - 「延平髫齡依母圖(Yeonpyeongchoryeonguimodo)」;鄭成功(Zhèng;Chéng-Gōng);鄭道令(Jeongdoryeong);『鄭鑑錄(Jeonggamrok)』;海上真人(the naval True Man)
DO - 10.21481/jbunka..71.201611.261
ER -
CHUNG, Eungsoo. (2016). Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - . Journal of Japanese Culture, 71, 261-279.
CHUNG, Eungsoo. 2016, "Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - ", Journal of Japanese Culture, no.71, pp.261-279. Available from: doi:10.21481/jbunka..71.201611.261
CHUNG, Eungsoo "Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - " Journal of Japanese Culture 71 pp.261-279 (2016) : 261.
CHUNG, Eungsoo. Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - . 2016; 71 : 261-279. Available from: doi:10.21481/jbunka..71.201611.261
CHUNG, Eungsoo. "Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - " Journal of Japanese Culture no.71(2016) : 261-279.doi: 10.21481/jbunka..71.201611.261
CHUNG, Eungsoo. Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - . Journal of Japanese Culture, 71, 261-279. doi: 10.21481/jbunka..71.201611.261
CHUNG, Eungsoo. Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - . Journal of Japanese Culture. 2016; 71 261-279. doi: 10.21481/jbunka..71.201611.261
CHUNG, Eungsoo. Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - . 2016; 71 : 261-279. Available from: doi:10.21481/jbunka..71.201611.261
CHUNG, Eungsoo. "Zhèng Chénggōng, regarded as Jeongdoryeong - with a focus on Yeonpyeongchoryeonguimodo - " Journal of Japanese Culture no.71(2016) : 261-279.doi: 10.21481/jbunka..71.201611.261
