2024, Vol.5, No.5

International Journal of K-Culture/K-Culture융합연구 KCI Impact Factor : 0.0

pISSN : 2951-2808 / eISSN : 2951-2883
https://journal.kci.go.kr/K-Culture

Objectives: Han Chang-ki (1936-1997) who was the publisher and editor of "The Deep Rooted Tree" and "The Deep Spring Water" collected national treasure-level cultural heritage, folk materials, Hangul materials, and ancient literature throughout his life. The purpose of this article is to examine the value and meaning of Korean ancient stories of a total of 520 books of 107 kinds (including works of the same kind). Methods: The following methodology was used to understand the characteristics of the complaint collected by Mr. Han Chang-ki. (1) To check the total quantity collected, a list was prepared and compared with the original. (2) In the case of major collections, the presence or absence of collections by other institutions and individual collectors was checked. Through this process, the value and meaning of the complaint collected by Mr. Han Chang-ki were confirmed. Conclusions: The characteristics of the old novel collected by Han Chang-ki are as follows. First, out of a total of 520 books of 107 kinds (including works of the same kind), there are no novels written in Chinese, and all are characterized by old novels written in Korean. Second, the old novel has various characteristics such as feature-length family novels, Banggakbon novels, translated versions of Chinese novels, and printed novels. Third, it is characterized by a book plate of Wolwangjeon, which produced the Banggakbon novel. Fourth, rare copies include the Gibong Hoerok, Dangbaekam, Seo's Yukmyeong Haengjeolok, Youhwanghujeon, and the Ju's Cheonghaengrok. In the future, it is necessary to check and study the entire work.

Objectives: The purpose of this article is to examine the significance of "Pansori of The Deep-Rooted Tree" and "Five Pansori of The Deep-Rooted Tree", a complete collection of pansori albums from deep-rooted trees, and the current status of CD albums that re-released them. Methods: Through a review of the entire pansori album released by ‘The Deep-Rooted Tree’, we will examine the status of each album in the pansori record label. Conclusions: First, the 'The Deep-Rooted Tree Appreciation Meeting' provided an opportunity for the publication of the entire pansori album. Second, 'Pansori of The Deep-Rooted Tree' and 'Five Pansori of The Deep-Rooted Tree' played an important role in pansori research. Third, 'Pansori of The Deep-Rooted Tree' was re-released as a CD in 2000 and played an important role in understanding and researching pansori.

Objectives: The monthly magazine “Ppurigipeun Namu(Deep Rooted Tree)”(March 1997 to August 1980) not only presented new milestones to Korean magazine history but also contributed greatly to preserving and inheriting traditional culture. From the perspective of tradition and cultural property, this paper examined the traditional elements of “Ppurigipeun Namu” and the awareness of tradition of Han Chang Ki(1936~1997). Methods: Han Chang Ki published “Ppurigipeun Namu” to rediscover, share and inherit the meaning and value of traditional culture. “Ppurigipeun Namu” deals with tradition and people’s content, but the ways of delivering it were modern and sophisticated. Until then, it was a new and unfamiliar way that Korea’s magazine and traditional cultural circles had never experienced. This method was notable in the horizontal writing for Hangeul(Korean language), cover design and the planning series of ‘People’s Heritage.’ This was the result of the agony of what is the essence of tradition and how to embrace and carry on tradition in our time. Conclusions: Han Chang Ki recognized and practiced that traditional culture comes from everyday life based on Korean language and the sentiments of the people, that it is effective to accept it through sophisticated, visual forms and media in order for people of this era to enjoy and inherit the tradition, and that it must be modern and future-oriented. This was the traditional awareness of Han Chang Ki, and the monthly magazine “Ppurigipeun Namu” was the place of practice in which such awareness was expressed in detail. Through the new and unfamiliar form of “Ppurigipeun Namu”, the public was able to expand their awareness of tradition and cultural heritage in greater depth. The traditional perception of Han Chang Ki and the practice of “Ppurigipeun Namu” are particularly meaningful in that it presented a new perspective on tradition, folklore and cultural properties.