@article{ART003276034},
author={Nguyen Thi Thao Nguyen and Nguyen Thi Hanh Dung},
title={Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam},
journal={International Journal of K-Culture/K-Culture융합연구},
issn={2951-2808},
year={2025},
volume={8},
number={8},
pages={47-65}
TY - JOUR
AU - Nguyen Thi Thao Nguyen
AU - Nguyen Thi Hanh Dung
TI - Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam
JO - International Journal of K-Culture/K-Culture융합연구
PY - 2025
VL - 8
IS - 8
PB - K-culture Convergence Research Society
SP - 47
EP - 65
SN - 2951-2808
AB - Objectives Korean painting after 1990 has expanded through global exchanges, transnational collaborations, digital exhibitions, and calligraphic fusion. In Vietnam, it is embraced through exhibitions, cultural diplomacy, and Korean Studies programs. The study shows that Korean painting reshapes artistic identity in global contexts while functioning as an important cultural bridge that strengthens Vietnam-Korea relations.
Methods This study employs qualitative methods through document review and media content analysis. Academic literature outlines the development of Korean painting since the 1990s, while Korean and Vietnamese media sources provide empirical cases of artistic exchange. Using keywords such as “K-Art” and “hội họa Hàn Quốc,” the study integrates theoretical and real-world data to interpret the globalization of Korean painting and its reception in Vietnam.
Conclusions Korean painting has transformed since the 1990s through global expansion, transnational collaboration, digital innovation, and renewed calligraphic identity. In Vietnam, it is positively received via exhibitions, education, and cultural diplomacy, serving as a key medium of cross-cultural understanding. Overall, Korean painting acts as a cultural bridge that strengthens Korea-Vietnam relations and offers insights for sustainable artistic exchange.
KW - Contemporary Korean painting;Globalization of art;K-Art;Vietnam-Korea cultural exchange
DO -
UR -
ER -
Nguyen Thi Thao Nguyen and Nguyen Thi Hanh Dung. (2025). Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam. International Journal of K-Culture/K-Culture융합연구, 8(8), 47-65.
Nguyen Thi Thao Nguyen and Nguyen Thi Hanh Dung. 2025, "Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam", International Journal of K-Culture/K-Culture융합연구, vol.8, no.8 pp.47-65.
Nguyen Thi Thao Nguyen, Nguyen Thi Hanh Dung "Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam" International Journal of K-Culture/K-Culture융합연구 8.8 pp.47-65 (2025) : 47.
Nguyen Thi Thao Nguyen, Nguyen Thi Hanh Dung. Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam. 2025; 8(8), 47-65.
Nguyen Thi Thao Nguyen and Nguyen Thi Hanh Dung. "Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam" International Journal of K-Culture/K-Culture융합연구 8, no.8 (2025) : 47-65.
Nguyen Thi Thao Nguyen; Nguyen Thi Hanh Dung. Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam. International Journal of K-Culture/K-Culture융합연구, 8(8), 47-65.
Nguyen Thi Thao Nguyen; Nguyen Thi Hanh Dung. Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam. International Journal of K-Culture/K-Culture융합연구. 2025; 8(8) 47-65.
Nguyen Thi Thao Nguyen, Nguyen Thi Hanh Dung. Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam. 2025; 8(8), 47-65.
Nguyen Thi Thao Nguyen and Nguyen Thi Hanh Dung. "Trends in Korean Painting after 1990: Globalization and its Engagement in Vietnam" International Journal of K-Culture/K-Culture융합연구 8, no.8 (2025) : 47-65.
