@article{ART002252288},
author={CHOI MYUNG SOOK},
title={A Study of Nationalization of Music “Xi bei feng” in China},
journal={The Journal of Chinese Cultural Studies },
issn={1598-8503},
year={2017},
number={37},
pages={5-28},
doi={10.18212/cccs.2017..37.001}
TY - JOUR
AU - CHOI MYUNG SOOK
TI - A Study of Nationalization of Music “Xi bei feng” in China
JO - The Journal of Chinese Cultural Studies
PY - 2017
VL - null
IS - 37
PB - The Society For Chinese Cultural Studies
SP - 5
EP - 28
SN - 1598-8503
AB - China, with a vast territory and a great population, has various music character in various section of it, which provides Chinese popular music with abundance materials and inspirations. furthermore, the best way to supplement Chinese popular music works by using it by reference. on the base of it, various folk character is showed in chinese popular music.
“Xi bei feng”songs, which emerged in the late of 1980s, are creative works with unigue characteristics among China’s contemporary songs. From 1986 “did not have all” and “Xintianyou” began, at the end of 1988 to the emergence of a “My beloved Hometown”, the Loess Plateau, the film “Red Sorghum” in the episode “sister song”, the drama “Syracuse” in the theme song “heart of the sun” and so on large this with strong northwest music style and distinctive characteristics of the times “Xi bei feng” songs.
with their rough, bold, and a bit bleak tone, and wild and passionate rhythm, “Xi bei feng” songs were all the fashion at China’s singing stage then which exerted great influence on social musical life and were very significant in the history of China’s contemporary music. “Xi bei feng” songs has a strong northwest style, distinctive features of the times and the unique aesthetic character. It is also China pop music training and bringing up a number of composers and singers, it also promoted the development of China rock. For the combination of Chinese and Western culture, “Xi bei feng” the creation of the song also has important practical significance.
this dissertation aims to make a way for Chinese popular music with folk factors to develop a school of its own in the world, which is the real meaning of this research on the folk factors in Chinese popular music.
KW - xi bei feng;pop music;Northern Shaanxi;folk song;nationalization
DO - 10.18212/cccs.2017..37.001
ER -
CHOI MYUNG SOOK. (2017). A Study of Nationalization of Music “Xi bei feng” in China. The Journal of Chinese Cultural Studies , 37, 5-28.
CHOI MYUNG SOOK. 2017, "A Study of Nationalization of Music “Xi bei feng” in China", The Journal of Chinese Cultural Studies , no.37, pp.5-28. Available from: doi:10.18212/cccs.2017..37.001
CHOI MYUNG SOOK "A Study of Nationalization of Music “Xi bei feng” in China" The Journal of Chinese Cultural Studies 37 pp.5-28 (2017) : 5.
CHOI MYUNG SOOK. A Study of Nationalization of Music “Xi bei feng” in China. 2017; 37 : 5-28. Available from: doi:10.18212/cccs.2017..37.001
CHOI MYUNG SOOK. "A Study of Nationalization of Music “Xi bei feng” in China" The Journal of Chinese Cultural Studies no.37(2017) : 5-28.doi: 10.18212/cccs.2017..37.001
CHOI MYUNG SOOK. A Study of Nationalization of Music “Xi bei feng” in China. The Journal of Chinese Cultural Studies , 37, 5-28. doi: 10.18212/cccs.2017..37.001
CHOI MYUNG SOOK. A Study of Nationalization of Music “Xi bei feng” in China. The Journal of Chinese Cultural Studies . 2017; 37 5-28. doi: 10.18212/cccs.2017..37.001
CHOI MYUNG SOOK. A Study of Nationalization of Music “Xi bei feng” in China. 2017; 37 : 5-28. Available from: doi:10.18212/cccs.2017..37.001
CHOI MYUNG SOOK. "A Study of Nationalization of Music “Xi bei feng” in China" The Journal of Chinese Cultural Studies no.37(2017) : 5-28.doi: 10.18212/cccs.2017..37.001
