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Study on system of meaning from Korean Design based on Lucky Sign Patterns

  • Journal of Communication Design
  • Abbr : JCD
  • 2018, 62(), pp.259-272
  • DOI : 10.25111/jcd.2018.62.20
  • Publisher : CDAK Society of Communication Design
  • Research Area : Arts and Kinesiology > Design > Visual Information Design > Information Design
  • Received : December 6, 2017
  • Accepted : January 24, 2018

Park Min-sun 1

1단국대학교 문화예술대학원 문화관리학과

Accredited

ABSTRACT

An individual is a crystal mixed with history, tradition, and culture, modern society is an era where the individual leads the global culture beyond the purpose of group, and design is remembered as a shape by becoming an image upon others by influencing various fields of society and culture. The design with sympathy in global situation from different cultural background should be based on systematic and in depth research based on the expansion of culture identity and values, and the agreement with the ideology, thus, design leads the world culture. Researches on tradition and culture identity in Korean design have been continuously conducted since the concept of design had been adopted. However, in design, view on tradition has been focused on superficial and sentimental interpretation, and image borrowing has a problem to overcome the background of discontinued period and difference between modern culture and traditional factors. Accordingly, this research aimed at comprehending the present of Korean design identity through lucky sign patterns, traditional factors included with design symbolization and formativeness as the universal value of the overall classes, furthermore, investigating expansion to Korean image implying modern formative beauty beyond the image of fixed cultural original form, by embracing diversity and variability of culture.

Citation status

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