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A Study on Characteristics of Qing Dynasty Women's Court Costume of the Chinese Historical Drama in The Story of Yanxi

  • Journal of Communication Design
  • Abbr : JCD
  • 2019, 68(), pp.266-276
  • DOI : 10.25111/jcd.2019.68.21
  • Publisher : CDAK Society of Communication Design
  • Research Area : Arts and Kinesiology > Design > Visual Information Design > Information Design
  • Received : July 12, 2019
  • Accepted : July 26, 2019
  • Published : July 31, 2019

Ma, Zi-han 1,  Kang, Hae-Seung 2

1단국대학교 패션산업융합디자인과 대학원 석박사 통합과정
2단국대학교

Accredited

ABSTRACT

Based on general study of Chinese tradition, the court costume, which is the ‘Chinoiserie’ of the Qing Dynasty, is analyzed. To this end, through the proven Chinese drama ‘The Story of Yanxi’ systematic study was conducted to separate the doubles of women in the court of the Qing Dynasty by class and purpose. The research methods and scope are the main characters in the play were divided into Wei Yingluo, Empress FuCha and The Second Empress. systematic research was carried out by class and usage. Classes were analyzed according to The a maid , Imperial, Imperial concubine, Imperial noble consort and Highest-ranking imperial noble consort. Clothing was subdivided into Chaofu, Jifu, Changfu and an ornament. The results show that in The Story of Yanxi, the reinterpretation of court women's clothing has scalability by adding modern elements while maintaining the style of doubles during the Qing Dynasty. These formative analyses are divided into shapes, colors, patterns, and materials, of which the expression of identity change has maximized visual effects in colors and patterns. The development of traditional Chinese culture has heightened interest through the Qing palace historical drama, and the interpretation of traditional dress from a modern perspective is meaningful. In the future, the modern interpretation of Chinese traditional dress by such antiquated materials is believed to be a reference in various fields based on tradition.

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