The purpose of this study was to examine Bong Jun-ho's film <Parasite>, which was ‘Palme d'Or, Golden Palm’of the Cannes Film Festival in 2019, as a text theory of late Roland Barthes, with paradoxical spatialism by alienation, oppression and resignation. In Parasites, the space of <parasite> has paradoxical concept of ‘Han' in Korean society, which is 'social isolation' and 'value sense of disregard', that is, 'loss of meaningful value or common goal', that is, 'concealment and escape with only resignation, conformity-good, and esteem-man' and humor of self-defense mechanism. So Bong Jun-ho's film is creating discourse as a text beyond the cinematic ending. As a result, it was found that the underground space in <Parasite> of Bong Jun-Ho acts as a place as the main space of Mise-en-scene that creates the reality and atmosphere of Korea.
@article{ART002555190}, author={Song Man Yong and Song， Jin-Yeul}, title={A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in journal={Journal of Communication Design}, issn={1976-1562}, year={2020}, volume={70}, pages={303-312}, doi={10.25111/jcd.2020.70.22}
TY - JOUR AU - Song Man Yong AU - Song， Jin-Yeul TI - A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in JO - Journal of Communication Design PY - 2020 VL - 70 IS - null PB - CDAK Society of Communication Design SP - 303 EP - 312 SN - 1976-1562 AB - The purpose of this study was to examine Bong Jun-ho's film , which was ‘Palme d'Or, Golden Palm’of the Cannes Film Festival in 2019, as a text theory of late Roland Barthes, with paradoxical spatialism by alienation, oppression and resignation. In Parasites, the space of has paradoxical concept of ‘Han' in Korean society, which is 'social isolation' and 'value sense of disregard', that is, 'loss of meaningful value or common goal', that is, 'concealment and escape with only resignation, conformity-good, and esteem-man' and humor of self-defense mechanism. So Bong Jun-ho's film is creating discourse as a text beyond the cinematic ending. As a result, it was found that the underground space in of Bong Jun-Ho acts as a place as the main space of Mise-en-scene that creates the reality and atmosphere of Korea. KW - Bong Joon-ho;parasite;the Space of Han. Text DO - 10.25111/jcd.2020.70.22 ER -
Song Man Yong and Song， Jin-Yeul. (2020). A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong and Song， Jin-Yeul. 2020, "A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong, Song， Jin-Yeul "A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong, Song， Jin-Yeul. A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong and Song， Jin-Yeul. "A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong; Song， Jin-Yeul. A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong; Song， Jin-Yeul. A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong, Song， Jin-Yeul. A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
Song Man Yong and Song， Jin-Yeul. "A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in
