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A Study on the Space of Paradoxical ‘Han(恨)’ of Bong Joon Ho's Film in <Parasite

  • Journal of Communication Design
  • Abbr : JCD
  • 2020, 70(), pp.303-312
  • DOI : 10.25111/jcd.2020.70.22
  • Publisher : CDAK Society of Communication Design
  • Research Area : Arts and Kinesiology > Design > Visual Information Design > Information Design
  • Received : November 30, 2019
  • Accepted : January 27, 2020
  • Published : January 31, 2020

Song Man Yong 1 Song, Jin-Yeul 1

1동서대학교

Accredited

ABSTRACT

The purpose of this study was to examine Bong Jun-ho's film <Parasite>, which was ‘Palme d'Or, Golden Palm’of the Cannes Film Festival in 2019, as a text theory of late Roland Barthes, with paradoxical spatialism by alienation, oppression and resignation. In Parasites, the space of <parasite> has paradoxical concept of ‘Han' in Korean society, which is 'social isolation' and 'value sense of disregard', that is, 'loss of meaningful value or common goal', that is, 'concealment and escape with only resignation, conformity-good, and esteem-man' and humor of self-defense mechanism. So Bong Jun-ho's film is creating discourse as a text beyond the cinematic ending. As a result, it was found that the underground space in <Parasite> of Bong Jun-Ho acts as a place as the main space of Mise-en-scene that creates the reality and atmosphere of Korea.

Citation status

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