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2019, Vol.25, No.3

Keeping Distance from Pathos and Turning Rational Trade into Emotions—The Change of Genres and the Reorganization of Emotions in the South Korean Films in the 1990s
PARK Yuhee | 2019, 25(3) | pp.9~40 | number of Cited : 5
A Study on the Readers and Publication Strategies of the 1980’s Paperback Romance—Focusing on the Concept of ‘High-teen’
Son Jin Won | 2019, 25(3) | pp.41~66 | number of Cited : 4
High-teen Romances Published By Samjungdang, And The Love And Sexuality Of Girls In The 1980s
LEE Jura | 2019, 25(3) | pp.67~99 | number of Cited : 7
Between a Historical Subject and a Novel Subject—Reading The Song of sword based on the Logic of Choice, Transformation, and Exclusion
KIM WON KYU | 2019, 25(3) | pp.103~141 | number of Cited : 0
The Construction and Mechanism of the ‘Byeongmat’ Discourse
Park JaeYeon | 2019, 25(3) | pp.143~180 | number of Cited : 5
Zombie, the Subject Ex Nihilo and the Ethics of Infection
Seo Dong Soo | 2019, 25(3) | pp.181~209 | number of Cited : 4
A Comparative Study on Korean and Egyptian Films—Focusing on Adaptations of Novels in Films of the 1960s
Alaa, Elewa | 2019, 25(3) | pp.211~266 | number of Cited : 1
Oral Literature as a Symbolic System—A Discourse on Northeast Asian Oral Literature in Comparative Studies of Eastern and Western Symbolism
Yun-Jong Lee | 2019, 25(3) | pp.267~302 | number of Cited : 0
About the Multi-layered Communication of Princess Pari on the Webtoon Platform of Daum—Focusing on Analysis of Narrative Structure and Comments
Keysook Choe | 2019, 25(3) | pp.303~345 | number of Cited : 19
Reader-Response Criticism about the Functional relation of Romance, Women and Patriarchy—Based on Janice A. Radway’s Reading the Romance: Women, Patriarchy and Popular Literature
Jungok Lee | 2019, 25(3) | pp.349~383 | number of Cited : 7