2014, Vol., No.90

On the Lexicalization of 'X-eopta' type in Korean

Koo Jong Nam | 2014, (90) | pp.5~38 | number of Cited : 2

Decoding to the characters(詞, 思, 史, 事) in Chazapyogi - Demonstration of the preceding decoding and supplementation of decoded sound and ground(Korean sound of chinese character)

Yang, Hee-Cheol | 2014, (90) | pp.39~65 | number of Cited : 0

This study demonstrated the preceding decoding to the characters(詞, 思, 史, 事) in Chazapiogi(Idu and Hyangchal), and in two aspect made up for the weak points discovered in the preceding decoding to the characters in Chazapiogi. First is the aspect of the rhyme(i/이) found in Korean poems written by chinese character. Second is the aspect of the rhyme(i/이) found in ‘Ji’ Seop third rhyme(‘止’攝三等韻) that is a rhyme in classification of chinese character. The result of this study is as follow;1. Preceding decoders decoded as many kinds of sound(si/시, sɪ/싀, etc) to the characters(詞, 思) in Idu. This decoding have a problem that did not demonstrated many kinds of sound(si/시, sɪ/싀 etc). 2. The characters(詞, 思) in Idu are decoded as a sound(si/시), according to a rhyme(i/이) found in rhyme characters(詞, 思) of Korean poems written by chinese character, and found in chinese characters(詩, 知, 伊, 支) of ‘Ji’ Seop third rhyme. 3. Preceding decoders decoded as many kinds of sound(si/시, sï/스, sɪ/싀 etc) to the character(史) in Hyangchal. This decoding have a problem that did not demonstrated many kinds of sound(si/시, sï/스, sɪ/싀 etc). 4. The character(史) in Hyangchal is decoded as a sound(si/시), according to a rhyme(i/이) found in rhyme characters(史, 駛, 使) of Korean poems written by chinese character, and found in chinese characters(是, 理, 里, 以, 爾, 只) of ‘Ji’ Seop third rhyme. 5. Preceding decoders decoded as many kinds of sound(si/시, sa/사 etc) to the character(事) in Hyangchal. This decoding have a problem that did not demonstrated many kinds of sound(si/시, sa/사 etc). 6. The character(事) in Hyangchal is decoded as a sound(si/시), according to a rhyme(i/이) found in rhyme character(事) of Korean poems written by chinese character, and found in chinese characters(利, 賜, 次) of ‘Ji’ Seop third rhyme. Putting the above accounts together, it seems correct the decoding(si/시) in the decoding of the characters(詞, 思, 史, 事) in Chazapiogi.

A study on Korean linguistics for the process of completion, the first complete translation of New Testament(1900-1904-1906) in Korea

Yu Kyung-Min | 2014, (90) | pp.67~99 | number of Cited : 6

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Generally, the materials of Korean version Bible have not been dealt in Korean linguistics in comparison with other parts of literature. In fact, the Protestant missionaries' works of literature seem to be nonacademic and prejudiced because of the outcomes strategically based on their religious purpose, therefore they're unacceptable among the academic investigators. They say that the early Korean version Bibles were translated personally, written vernacularly, mostly religious terminologies in New Testament and the sentences of contemporary ones are informal and so forth. Actually, however, the Korean version Bibles have been translated and modified by reflecting linguistic reality for the purpose of missionary works as well as acquiring public readers. Also, the retranslated and the Revised Version have been published continuously for the sake of the readers and spelling orthography. The Korean version Bibles are Korean linguistic materials more than 100 years. Furthermore, it's possible to study on the correspondence between two words that's because the translation of the Bible has a characteristics from the same original and has a principle of literal translation. This paper explains that it's necessary and important to study Korean version Bibles equivalently, in comparison with the materials of Buddhism, Confucianism, medicine that were studied positively. This paper also not only illuminates why and how far it is away from, if contemporary Korean version Bible diverges from the formal representation but demonstrates how much this literatures effected on the formations of contemporary Korean language in the history of Korean linguistics. The first complete translation(Korean version) of New Testament was published in 1900. This is called 'Tentative Edition of the Board'. Since then 'The Permanent Executive Bible Committee - Board of Official Translators' brought out the Revised Bible in 1904. As there were lots of problems in the Revised Bible, they published the New Testament authorized version in 1906. The representations and vocabularies of Korean on those day could be found by researching how they amended and what they modified from the 'Tentative Edition of the Board' of 1900 to the New Testament of 1906, by way of the Revised Bible of 1904. The purpose of this paper is to investigate the modifying process how this Korean version Bible became established in Korea.

A Feminist Viewpoint of <Sukyoung Nangja Jeon> Examined through 'Taboo' Code

Kim Miryeong | 2014, (90) | pp.101~125 | number of Cited : 7

<Sukyoung Nangja Jeon> is considered a narrative of taboo. It has the structure of a taboo narration (a presentation of taboo-destruction-hardship-overcoming) as the story unfolds with a taboo as the base of narration. It has been known that the story is mainly read by women. In this perspective, it is thought that it implies the viewpoint of the feminist. Therefore, this study speculated on the feminist perspectives implied in the violation of the taboo centering on the taboo in the narration of <Sukyoung Nangja Jeon>. Based on the results, the meaning of <Sukyoung Nangja Jeon> is concluded as follows:First, the narrative of <Sukyoung Nangja Jeon> has spatial structure where what is holy is separated from the secular, and a woman in heaven as a holy space and Okryondong, that is, Sukyoung's superiority is recognized. However, she could not be superior as a wife of a man and a daughter-in-law on the ground as the secular space. This reflects the unfair recognition of women at that time. Second, the violation of taboo in <Sukyoung Nangja Jeon> has a property of rejection against the ideology of that time. However, to view it more intensively, the need to violate taboo is an expression of the image of the ideal man(husband) that women have at the time rather than being subversive ideological thoughts. In <Sukyoung Nangja Jeon>, the heroin projected her desire to violate taboo to her husband and felt satisfied. Third, when <Sukyoung Nangja Jeon> arrives at the peak of hardship, Sukyoung had to maximize the image of Sukyoung as a heroin of tragedy. It also has meaning as a device to criticize the process of making chaste women which was enforced at that time. As above, <Sukyoung Nangja Jeon> deliberately combined the material of taboo violation with the miserable image of Sukyoung who had hardship in expressing female-oriented perspectives and needs. In this term, <Sukyoung Nangja Jeon> would achieve vicarious satisfaction and chemistry and the heroic image of men would satisfy part of a male's desire at that time. It is suggested that's why <Sukyoung Nangja Jeon> was successfully popular.

A Study on Eungje-Eobyong-sixty-two poems by Go Gyong-myong

Soojeong Hwang | 2014, (90) | pp.127~150 | number of Cited : 1

This study focused on examining the aesthetic aspects of Eungje- Eobyong-sixty-two poems(應製御屛六十二詠) by Jebong, Go Gyong-myong. It is a collection of pictorial poetry, poetry of spiritual beings, and poetry written by the order of the king. King Myongjong showed 62 scrolls of paintings he had collected to Jebong and ordered him to write poetry about them. That is, it was a solo project executed by the order of the king. The paintings show flowers, grass, trees, insects, fish, birds, and other animals. In particular, as many of them display birds, the poetry described diverse types of birds dynamically. The following is a summary of it: First, this study examined the background and meaning of the poetry focusing on its epilogue. As a result, the characteristics and meaning of the poetry as pictural pieces were discovered. In particular, the royal family's interest in the aesthetic aspects and relationships between the king and Jebong were understood. Then, through expressive methods, the aesthetic aspects of poetry by Jebong were revealed. Through this content the descriptions of spiritual beings, nobles and solemn beauty was examined. The dynamic status, which was well-captured in the paintings, was properly detailed in the poetry. The vivid realism was well layed out in it. Therefore, the natural aestheticism in poetic expression was impressive. Finally, the parodic beauty was made vivid through innovative concepts. Jebong's poetry was not only faithful only to the paintings but he also reinterpreted the paintings through his aesthetic sense. That is, he exerted his aesthetic emotions as well as expressive power for the paintings with the addition of creative ideas. Therefore, he criticized the contemporary status of his society sharply and was aware of it through parody. In conclusion, this study explained solemnity, nature, and parody as aesthetic characteristics of Eungje-Eobyong-sixty-two poems(應製御屛六十二詠) by Jebong.

An Essay on the Folkloric Representation in the Jeong-saeng Kweon’s Fairy Tale

Lee, Young-Bae | 2014, (90) | pp.151~176 | number of Cited : 6

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Shape and meaning of filial duty in Park Ji-won’s Bijiryu prose － Focused on<Jeungsaheonbujipyeongyegunmyogalmyeong> and <Hyojajeungsaheonbujipyeongyungunmyogalmyeong> －

Jeong Sun Hee | 2014, (90) | pp.177~202 | number of Cited : 4

Shin, Kwang-Han's Modus Vivendi and the innate respect for So, Ong

Sungwoon Chun | 2014, (90) | pp.203~231 | number of Cited : 9

A Study on Chinese Poetry Regarding Mt. Mudeung by Literary Persons in the Joseon Period

Han seong geum | 2014, (90) | pp.233~260 | number of Cited : 1

Chinese poetry covering Mt. Mudeung in Honam from the 16th century expressed liberal and lyrical sensitivity and aestheticism and elegant taste in life beyond secular values. This study shows that poets writing on this topic had elegant taste in their own aestheticism and enjoyed natural scenery themselves, rather than seeking healing for frustration or sympathy, in regarding natural scenery although the they had limits in their status after they left their political positions. Such aestheticism was derived from a complete fusion and harmony in sentiment with the images. The Chinese poets of the Honam area in the middle 16th century configured the natural scenery viewed at the skirts of Mt. Mudeung lyrically. Their poetic ego was revealed through empathy and association with the natural scenery. There were also a number of poems singing about imagination and refinement. The poets represented the magnificence and extraordinariness of Ipseokdae, one of the peaks of Mt. Mudeung. They became unworldly recluses in the magnificent peaks and represented them with liberal taste and refinement combined with liberal imagination without being restricted to vulgar customs or shackles. Therefore, this study looked at Chinese poetry that covered Mt. Mudeung written in the 16th century and Chinese poetry viewed through the viewpoint of a poet following his father as a Hwasun governor from another area in the 18th century. By analysing Chinese poetry dealing with Mt. Mudeung written by a few Honam poets, and in particular the poet named Jeong Yak Yong from another area, in the 18th century, this study was to understand the awareness and aesthetic expression of the poets of the Joseon period. The poetry of Mt. Mudeung by Jeong Yak Yong of the 18th century described real and objective lyricism and picturesque images of natural scenery, which reflected the poetry trends of the 18th century. Therefore, it is expected that the aesthetic characteristics of the poetry can be understood through the viewpoints and expressions of the poets revealed in the Chinese poetry of Mt. Mudeung.

『Maneonsa』 : The Reading and The Writting through Multiple Life Experiences

ki-cheol jung | 2014, (90) | pp.261~289 | number of Cited : 1

A Survey and Ability test on the Actual Condition of the Language Standard of the University Students

Kim Jungsun | 2014, (90) | pp.291~324 | number of Cited : 1

A Study on the Status of Connective Ending ‘-(Eu)ni’ in Korean Language Education － Focusing on the Meaning Relation between Antecedent Clause and Following Clause, and the Syntactic Feature of ‘-(Eu)ni’ －

SEO, HUIJEONG | 2014, (90) | pp.325~356 | number of Cited : 0

The characteristics and significance of literary movements in the late of Japanese occupation that looked through the trial record －Focusing on the relevance of the creative writing and anti-Japanese movement－

Moon Han byoul | 2014, (90) | pp.357~379 | number of Cited : 1

A Study on Kwon Jeong-saeng's〈Cotton jacket and Mom〉

Lee Nae-kwan , Mounkwo Jeong | 2014, (90) | pp.381~405 | number of Cited : 3

Kwon Jeong-saeng(09/10/1936-05/17/2007) is the first election to the Christian Children's Literature in 1969 "Puppy shit". And he won in 1971 in Daegu daily newspaper "Baby sheep and shadow". Also he is elected to Chosun Ilbo Literary New Year 1973 "Cotton jacket and mom" stands for in the way of children's literature. After, Kwon Jeong-saeng receives recognition literature representing children in Korea. Looked at the history and characteristics of discourse analysis and narrative structure of the epic work aspects, which have to work around the "Cotton jacket and mom" of Kwon Jeong-saeng study. Says the format of the time talking to imitate the first second epic than the perspective of the primary concepts of the traditional concept of the epic poem mentioned in this paper. Take the time and order of work from Chapter 1 to Chapter 10, which describes a long history, from the 1910s to the 1960s. And can be seen as a narrative technique chosen to suit the child's eye level is configured as a net result of the acts and historical events. This story describes, in the form at the root of our modern history is recognized and the following Kwon Jeong-saeng. First, is that the historical time of a contemplative time, ranging from Japanese occupation troops in the Vietnam War Kwon Jeong-saeng records. Chapter 10 is also expressed in short sentences longer than 300 historical time, although the prose of julgeul format, was able to see the other as epic poem. Second, the story is that the narrative of the historical events that have suffered misfortune and suffering of our people have their own family members. Can be seen as an appropriate way to be able to reflect on the epic history of the nation over the issue of the individual is a story that describes the transformation of individuals, called the grand narrative of national history.

The Sublime Found in Lee Cheong Jun’s 『In Search of Lost Words』『The Person from Namdo』series

Joomi Lee | 2014, (90) | pp.407~425 | number of Cited : 1

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Korean Language & Literature 2023 KCI Impact Factor : 0.63

2014, Vol., No.90