@article{ART001278817},
author={Kwon Soonhoi},
title={The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics},
journal={Korean Language & Literature},
issn={1229-1730},
year={2008},
number={66},
pages={111-125}
TY - JOUR
AU - Kwon Soonhoi
TI - The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics
JO - Korean Language & Literature
PY - 2008
VL - null
IS - 66
PB - Korean Language & Literature
SP - 111
EP - 125
SN - 1229-1730
AB - In this thesis, I introduced Sijoeumyul, the anthology of gagok-chang(歌
曲唱) and researched the characteristics of gagok in this anthology.
Sijoeumyul is a relatively small because it collects just 99 poems. However
the hanbatang(篇歌) of Sijoeumyul shows various aspects of gagok’s
performances in the early 20th century.
The hanbatang of Sijoeumyul excluded Jungdaeyeop(中大葉) and
possessed the formation of man’s song, woman’s song and Ujo(羽調) and
Gyemyeonjo(界面調) which are well organized. Especially it prominently
shows form-oriented traits because it tried to balance Ujo and
Gyemyeonjo. This is very important aspect of gagok hanbatnag in the
early 20th century. We grasped the concrete condition through the
existence of ‘Gyesoyong(계소용)’ which is located between man’s song,
‘Yuldangsakdaeyeop(율당삭대엽)’, ugyemyeon(羽界面) and sogagok(小歌
曲). Man’s song, ‘Gyesoyong’ had not been used in most of anthologies like
“Gagokwonryu(歌曲源流)”. It is related to gagok’s form-oriented traits that
‘Gyesoyong’ appeared in hanbatang since the 20th century. ‘Yuldangsakdaeyeop’
was arranged between ugyemyeon and sogagok is for such
reasons as I mentioned.
Therefore we need to pay attention to the location of ‘Joeunjajeunhanip
(조은자즌한입)-duggeo(두거)’ in Sijoeumyul. In hanbatang of Sijoeumyul,
‘Joeunjajeunhanip(duggeo)’ is arranged after ‘Samsakdaeyeop(三數大葉)’.
And alos ‘Jungeo(中擧)’ and ‘Pyeonggeo(平擧)’ are omitted in the appendix.
It is impled that the original text of Sijoeumyul hanbatang might be
existed before ‘Pyeongeo’ and ‘Junggeo’ were derived. After all, I assumed
that it could be recompiled the anthology which showed the musical
characteristics prior to “Gagokwonryu”. And it was reflected that the
characteristics of gagok's performance like 'Whangyerak(環界樂' in the
early 20th century.
As above, it is certain that Sijoeumyul was compiled for textbook or
script of performance. It is reflected in this book that the actual condition
in the early 20th century. We can confirm this through the collected
saseol(lylic). It was collected in the hanbatang of Sijoeumyul that 64 pieces
of man’s song, 24 pieces of woman’s song, for a total 88 pieces of saseol.
Sijoeumyul recorded the representative saseol about 1~4 pieces unlike the
collection of saseol which arranged dozens of saseols. These have been
recognized as the representative saseol of those tunes since then.
KW - Sijoeumyul;gagok;hanbatang;gajip;saseol;sijo;man's
song;woman's song;textbook
DO -
UR -
ER -
Kwon Soonhoi. (2008). The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics. Korean Language & Literature, 66, 111-125.
Kwon Soonhoi. 2008, "The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics", Korean Language & Literature, no.66, pp.111-125.
Kwon Soonhoi "The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics" Korean Language & Literature 66 pp.111-125 (2008) : 111.
Kwon Soonhoi. The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics. 2008; 66 : 111-125.
Kwon Soonhoi. "The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics" Korean Language & Literature no.66(2008) : 111-125.
Kwon Soonhoi. The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics. Korean Language & Literature, 66, 111-125.
Kwon Soonhoi. The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics. Korean Language & Literature. 2008; 66 111-125.
Kwon Soonhoi. The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics. 2008; 66 : 111-125.
Kwon Soonhoi. "The formation of “Sijoeumyul(時調音律)" and Gagok(歌曲)'s characteristics" Korean Language & Literature no.66(2008) : 111-125.
