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The Tragic of Variations on Chu-young and Agi-Jangsu tale on Modernist works in 1960s and after

  • Korean Language & Literature
  • 2009, (70), pp.403-423
  • Publisher : Korean Language & Literature
  • Research Area : Humanities > Korean Language and Literature

Han Soon Mi 1

1전남대학교

Accredited

ABSTRACT

This study addresses the phase of variations according to the writers' sensitivities, and periodic meaning of the tragic through examinations of modernist variations on Chu-young and Agi-jangsu tale written in 1960s and after. Chu-young poems of Kim Choon-su reflect the feeling of loss which is triggered by juvenile trauma and violent ideology with various viewpoints. For Kim, the possibility of healing and reconciliation remains far off because the theme constantly arouses the tragic pain. Therefore, Chu-young theme of Kim is periodic indication which reveals crisis on human existence and feeling of loss and nihility. And The Lost Song of Chu-young, the trial work of Kim Hyun also has same context. This study also considers Youk-sa by Kim Seung-ok, Long Time Ago Whu-a Whu-i by Choi In-hoon, and An Island That Swallowed a Myth as variations of Agi-jangsu tale and focuses on their sharing the tragic theme. For the first, in Youk-sa, the main character Seo shows the reality that needs and accepts no warrior. The endeavor Seo makes to maintain and keep his power looks eccentric and by presenting isolation of individual, it criticizes the reality based on capitalism. Secondly, Long Time Ago Whu-a Whu-i displays tragic condition and barren reality of here and now. So as to say, the reality is not able to accept a hero like Agi-jangsu and led to disillusion that the possibility he can save society is slim. For the last, An Island That Swallowed a Myth presents pursuit of critical history-cognition and realms of possibility. Agi-jangsu in Lee's work heads to no salvation that is solely done by savior, but to open space of possibilities that exist in the people's lives and destinations they take. As mentioned above, these writers vary the traditional theme and common periodic experiences, such as April 19 Revolution, into multiple context. They don't take the tradition as definite one but as basis of aesthetic imagination within the sensitivity of the time. For further study, it would be possible to sort the phases of variation by thorough consideration on each writer's sensitivity and imagination, and then to place it under the context of the time.

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This paper was written with support from the National Research Foundation of Korea.
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