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@article{ART001577615},
author={김주희 and CHUNG, EUI SOOK},
title={Intertextuality Body Inhere in「 History of Tears」of Jan Fabre},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2011},
volume={33},
number={33},
pages={1-29},
doi={10.16877/kjds.33.33.201108.1}

TY - JOUR
AU - 김주희
AU - CHUNG, EUI SOOK
TI - Intertextuality Body Inhere in「 History of Tears」of Jan Fabre
JO - The Korean Journal of Dance Studies
PY - 2011
VL - 33
IS - 33
PB - The Korean Society for Dance Studies
SP - 1
EP - 29
SN - 1226-900X
AB - This dissertation aims to examine the aspects and meanings of gendered bodies in dance. For this, I analyze Jan Fabre’s「History of Tears」(2005),intertextuality. Intertextuality bodies in the work have communicable bodies. They show the intertextual bodies that can cr+eate sociopolitical discourses by displaying unbalanced fat bodies rather than well-balanced beautiful bodies. The distorted bodies become an independent body by offering an opportunity to communicate autonomously. 「History of Tears」also challenges to power-oriented space by doing carnivalesque performance in church space. It even transforms itself into a space in which people can participate and approach. Intertextuality bodies in the three works don’t work as a place for politics or direct power, but the bodies are represented as strategical bodies which reveal the essence of power by deconstructing the traditional understanding of the bodies and presenting a new understanding of the body. The Intertextuality bodies in the works perform a gender in real stage space. They challenge to power relationships by creating cultural discourses. This research could confirm that dance itself is political. In other words, dance does not reproduce a specific political incident, but expose political aspects in intertextuality bodies.
KW - Jan Fabre;History of tears;intertextuality body;communication;sensibility
DO - 10.16877/kjds.33.33.201108.1
ER -

김주희 and CHUNG, EUI SOOK. (2011). Intertextuality Body Inhere in「 History of Tears」of Jan Fabre. The Korean Journal of Dance Studies, 33(33), 1-29.

김주희 and CHUNG, EUI SOOK. 2011, "Intertextuality Body Inhere in「 History of Tears」of Jan Fabre", The Korean Journal of Dance Studies, vol.33, no.33 pp.1-29. Available from: doi:10.16877/kjds.33.33.201108.1

김주희, CHUNG, EUI SOOK "Intertextuality Body Inhere in「 History of Tears」of Jan Fabre" The Korean Journal of Dance Studies 33.33 pp.1-29 (2011) : 1.

김주희, CHUNG, EUI SOOK. Intertextuality Body Inhere in「 History of Tears」of Jan Fabre. 2011; 33(33), 1-29. Available from: doi:10.16877/kjds.33.33.201108.1

김주희 and CHUNG, EUI SOOK. "Intertextuality Body Inhere in「 History of Tears」of Jan Fabre" The Korean Journal of Dance Studies 33, no.33 (2011) : 1-29.doi: 10.16877/kjds.33.33.201108.1

김주희; CHUNG, EUI SOOK. Intertextuality Body Inhere in「 History of Tears」of Jan Fabre. The Korean Journal of Dance Studies, 33(33), 1-29. doi: 10.16877/kjds.33.33.201108.1

김주희; CHUNG, EUI SOOK. Intertextuality Body Inhere in「 History of Tears」of Jan Fabre. The Korean Journal of Dance Studies. 2011; 33(33) 1-29. doi: 10.16877/kjds.33.33.201108.1

김주희, CHUNG, EUI SOOK. Intertextuality Body Inhere in「 History of Tears」of Jan Fabre. 2011; 33(33), 1-29. Available from: doi:10.16877/kjds.33.33.201108.1

김주희 and CHUNG, EUI SOOK. "Intertextuality Body Inhere in「 History of Tears」of Jan Fabre" The Korean Journal of Dance Studies 33, no.33 (2011) : 1-29.doi: 10.16877/kjds.33.33.201108.1