@article{ART001793074},
author={Lee Na-Hyun},
title={A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2013},
volume={43},
number={4},
pages={101-116},
doi={10.16877/kjds.43.4.201308.101}
TY - JOUR
AU - Lee Na-Hyun
TI - A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance
JO - The Korean Journal of Dance Studies
PY - 2013
VL - 43
IS - 4
PB - The Korean Society for Dance Studies
SP - 101
EP - 116
SN - 1226-900X
AB - Francis Sparshott explains how dancer’s body can deviate from social being and be given the artistic value through the concept of self-transformation. It is the specificity of dance that enter into the sacred area beyond everyday life through self-transformation. It seems to have limit, however, that explains contemporary dance with his concept of self-transformation that is transformed into the specific role or sacred being. Therefore, this study presents that the value of dance is not only sacredness given through the self-transformation but also the process of showing human through anonymous body.
Dance had been valued highly by it’s sacredness and beauty which gained through self-transformation but it is time to evaluate it by new point of view. The result of self-transformation in contemporary dance is the anonymous body which earned by separating from the purpose of everyday life and through it dance gets originality instead of sacredness. It is the new value in contemporary dance to show a different world through an unfamiliar body to audience as a ‘realizer’ of hidden side of human being, not by depending on disguised skill for the illusion of beauty.
KW - self-transformation;Francis Sparshott;contemporary dance;value of dance;post-modern dance
DO - 10.16877/kjds.43.4.201308.101
ER -
Lee Na-Hyun. (2013). A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance. The Korean Journal of Dance Studies, 43(4), 101-116.
Lee Na-Hyun. 2013, "A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance", The Korean Journal of Dance Studies, vol.43, no.4 pp.101-116. Available from: doi:10.16877/kjds.43.4.201308.101
Lee Na-Hyun "A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance" The Korean Journal of Dance Studies 43.4 pp.101-116 (2013) : 101.
Lee Na-Hyun. A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance. 2013; 43(4), 101-116. Available from: doi:10.16877/kjds.43.4.201308.101
Lee Na-Hyun. "A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance" The Korean Journal of Dance Studies 43, no.4 (2013) : 101-116.doi: 10.16877/kjds.43.4.201308.101
Lee Na-Hyun. A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance. The Korean Journal of Dance Studies, 43(4), 101-116. doi: 10.16877/kjds.43.4.201308.101
Lee Na-Hyun. A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance. The Korean Journal of Dance Studies. 2013; 43(4) 101-116. doi: 10.16877/kjds.43.4.201308.101
Lee Na-Hyun. A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance. 2013; 43(4), 101-116. Available from: doi:10.16877/kjds.43.4.201308.101
Lee Na-Hyun. "A Study on Francis Sparshott’s Self-transformations in Regards to Contemporary Dance" The Korean Journal of Dance Studies 43, no.4 (2013) : 101-116.doi: 10.16877/kjds.43.4.201308.101
