@article{ART001899242},
author={Yi Taeha and 정승화 and 김이경},
title={A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2014},
volume={49},
number={4},
pages={73-88},
doi={10.16877/kjds.49.4.201407.73}
TY - JOUR
AU - Yi Taeha
AU - 정승화
AU - 김이경
TI - A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company
JO - The Korean Journal of Dance Studies
PY - 2014
VL - 49
IS - 4
PB - The Korean Society for Dance Studies
SP - 73
EP - 88
SN - 1226-900X
AB - This study aims to propose the method that technology is used not to expand the original expressions,but to create the artistic expression related to ‘Synesthesia’ by using human’s five senses based on RobertWechsler’s previous works and various examples about synesthesia. He introduced terminology,‘Mapping’, on the technology system, that movement is used to input variable and sound is used tooutput variable, and connect the new parameter related to correlation between two. He has tried to findthis correlation not based on the user’s understanding, but on their common instincts, namely synestheticexpression. Through this, he has tried to make genuine interactivity among a performer, audience and astage. Based on his point of view, if we tried to use all the human’s senses, we can transfer more abundantand new experience to audience in the stage.
KW - Robert Wechsler;Palindrome;Synesthesia;Mapping;Motion Tracking
DO - 10.16877/kjds.49.4.201407.73
ER -
Yi Taeha, 정승화 and 김이경. (2014). A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company. The Korean Journal of Dance Studies, 49(4), 73-88.
Yi Taeha, 정승화 and 김이경. 2014, "A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company", The Korean Journal of Dance Studies, vol.49, no.4 pp.73-88. Available from: doi:10.16877/kjds.49.4.201407.73
Yi Taeha, 정승화, 김이경 "A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company" The Korean Journal of Dance Studies 49.4 pp.73-88 (2014) : 73.
Yi Taeha, 정승화, 김이경. A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company. 2014; 49(4), 73-88. Available from: doi:10.16877/kjds.49.4.201407.73
Yi Taeha, 정승화 and 김이경. "A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company" The Korean Journal of Dance Studies 49, no.4 (2014) : 73-88.doi: 10.16877/kjds.49.4.201407.73
Yi Taeha; 정승화; 김이경. A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company. The Korean Journal of Dance Studies, 49(4), 73-88. doi: 10.16877/kjds.49.4.201407.73
Yi Taeha; 정승화; 김이경. A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company. The Korean Journal of Dance Studies. 2014; 49(4) 73-88. doi: 10.16877/kjds.49.4.201407.73
Yi Taeha, 정승화, 김이경. A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company. 2014; 49(4), 73-88. Available from: doi:10.16877/kjds.49.4.201407.73
Yi Taeha, 정승화 and 김이경. "A Study on the Possibility of Extending Artistic Expression by Utilizing Synesthetic Performance Technology Focused on Robert Wechsler and the Palindrome Dance Company" The Korean Journal of Dance Studies 49, no.4 (2014) : 73-88.doi: 10.16877/kjds.49.4.201407.73