@article{ART001993226},
author={Sang Hwan Kim},
title={Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2015},
volume={54},
number={3},
pages={21-49},
doi={10.16877/kjds.54.3.201505.21}
TY - JOUR
AU - Sang Hwan Kim
TI - Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse
JO - The Korean Journal of Dance Studies
PY - 2015
VL - 54
IS - 3
PB - The Korean Society for Dance Studies
SP - 21
EP - 49
SN - 1226-900X
AB - Kim Sou-young (1921~1968) is one of the most important poets representing Korean literary modernism, and his original aesthetic thinking is called poetics of onmom (whole body). In this paper, I will try to apply his poetics into a choreographical theory, while arranging his scattered remarks on dance in a progressive order and commenting them in a systematic way so as to get a coherent image of dance.
I will argue that the poetics of onmom implies ultimately a logic of tele-affection, in and by which auto-affection and hetero-affection of the body are coordinated to produce a new ideal scheme of world’ appearance, a logic of tele-affection in and by which a dancing body is reborn as pure differential whole body, liberated from subject-object relation, cultural codes and even from the musics.
KW - Kim Sou-young;Poetics of onmom;Whole body;Tele-affection;Auto-affection
DO - 10.16877/kjds.54.3.201505.21
ER -
Sang Hwan Kim. (2015). Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse. The Korean Journal of Dance Studies, 54(3), 21-49.
Sang Hwan Kim. 2015, "Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse", The Korean Journal of Dance Studies, vol.54, no.3 pp.21-49. Available from: doi:10.16877/kjds.54.3.201505.21
Sang Hwan Kim "Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse" The Korean Journal of Dance Studies 54.3 pp.21-49 (2015) : 21.
Sang Hwan Kim. Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse. 2015; 54(3), 21-49. Available from: doi:10.16877/kjds.54.3.201505.21
Sang Hwan Kim. "Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse" The Korean Journal of Dance Studies 54, no.3 (2015) : 21-49.doi: 10.16877/kjds.54.3.201505.21
Sang Hwan Kim. Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse. The Korean Journal of Dance Studies, 54(3), 21-49. doi: 10.16877/kjds.54.3.201505.21
Sang Hwan Kim. Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse. The Korean Journal of Dance Studies. 2015; 54(3) 21-49. doi: 10.16877/kjds.54.3.201505.21
Sang Hwan Kim. Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse. 2015; 54(3), 21-49. Available from: doi:10.16877/kjds.54.3.201505.21
Sang Hwan Kim. "Dance of Onmom (Whole Body) and Its Logic From Kim Sou-young’s Poetics to a Choreographical Discourse" The Korean Journal of Dance Studies 54, no.3 (2015) : 21-49.doi: 10.16877/kjds.54.3.201505.21
