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2017, Vol.52, No.

“You live and do me no harm.” Aby Warburg's thought-space and image
Shin, Seung-Chol | 2017, 52 | pp.3~39 | number of Cited : 5
About Self-consciousness and Prometeus-Eros Symbol in the Renissance Study of Ernst Cassirer
Jung-Hee Chu | 2017, 52 | pp.41~72 | number of Cited : 0
Thinking Contemporaneity through Image : Alain Badiou's Conception of Image
Chang Tae Soon | 2017, 52 | pp.73~95 | number of Cited : 0
Deleuze's Film-Philosophy : Thinking through Images
Jiyoung Lee | 2017, 52 | pp.97~121 | number of Cited : 4
Why do Human Images drawn on Gods' Paintings in Korean Shamanism read as Overlapping God's Images
Hyun Kyung Lee | 2017, 52 | pp.125~165 | number of Cited : 1
A New Understanding of Kim Jeong-hui's Wintry Days
Song-Sig Jo | 2017, 52 | pp.167~203 | number of Cited : 4
Rehabilitierung der Schönheit der koreanischen traditionellen bildenden Künste durch die Gedanken von I. Kant
Jeong-Im Kwon | 2017, 52 | pp.205~256 | number of Cited : 0
A Study on Insik Quac's Spring Series
Soon-Hong Park | 2017, 52 | pp.257~293 | number of Cited : 0
The Meaning of Korean Hyperrealism Paintings after 1990s in the Age of Post-Medium Condition : Focused on the Concept of Medium by Rosalind Krauss
Hur Nayoung | 2017, 52 | pp.295~331 | number of Cited : 0
Meaning in ‘Constructive Craft’ : Josef Albers's Perceptual Pedagogy
Sae-Mi Cho | 2017, 52 | pp.333~375 | number of Cited : 0
The Influence of Vanitas Paintings in Contemporary Art Photography
Hyun-Mok Jung | 2017, 52 | pp.377~413 | number of Cited : 2