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2022, Vol.67, No.

A Study of the Picturesque Aesthetic as a Heterotopia: Focusing on English Landscape Gardens
Min-Ji Kim | 2022, 67 | pp.6~30 | number of Cited : 0
On Some Motifs in Heinrich Heine Ⅱ: Focusing on His Term “End of the Period of Art” and the Oldest Program of Sensualism
Jong-Seo Lee | 2022, 67 | pp.32~57 | number of Cited : 0
Self-Consciousness of Wen (文) in Wei-Jin and North-South Dynasties and The Semantic Expansion of Xing (興) and Shen (神)
Kim BaikGyun | 2022, 67 | pp.60~81 | number of Cited : 1
A Study on the Ambivalence of Scientific Technology Acceptance in the First-Third Seoul Mediacity Biennale
Soo-Hee Pae | 2022, 67 | pp.82~107 | number of Cited : 0
A Phenomenological Study on the Aesthetics of Site-Specific Dance: Focusing on Song Joowon’s Pungjeong.Gak
CHO SEON RYEONG | 2022, 67 | pp.108~132 | number of Cited : 0
Representation for Hagiography: Pseudo-Scientific Practice of Raphael’s Skull Model
Shin, Seung-Chol | 2022, 67 | pp.134~161 | number of Cited : 0
Media and the Problem of Narcissism
Yong-Sung Paik | 2022, 67 | pp.162~187 | number of Cited : 1
A Study on AI Art in the Post-Digital Age
Choi so young | 2022, 67 | pp.188~214 | number of Cited : 1
The Self-Organization of Human-Actor in Ecological Art as Viewed by ANT: Focusing on Aviva Rahmani’s Activism Art Practice
Yu HyunJu | 2022, 67 | pp.216~236 | number of Cited : 2
Staying with the Climate Change: Focused on an Analysis of Maya Lin’s Ghost Forest
Seunghan Paek | 2022, 67 | pp.238~261 | number of Cited : 0