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Lacan's interpretation of <Las Meninas> - Focusing on ‘Mai, 1966’ in Seminar ⅩⅢ

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2013, 37(), pp.159~180
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Published : February 28, 2013

Ihn-Sook Nam 1

1홍익대학교

Accredited

ABSTRACT

This paper is to examine the meaning of Lacan's <Las Meninas> in Séminaire ⅩⅢ(L'objet de la psychanalyse). Especially the discovery of the conscient subject and the meaning of subversion in Séminaire ⅩⅢ will be focused. For this examination, this paper deals with the relation l'objet a and subjet, dialectic of desire and drive(objet a), Margaritta and desire and regard of painter(master) and window. Because of a gap, this relation of both is discord with each other. The gap is called l'objet a in Lacan. In conclusion, the paper will shed light on the possibility to approach not only the problem of visible/invisible but also the problem of aesthetics in Lacan' psychoanalysis.

Citation status

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