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2025, Vol.76, No.

Minimalist Objet and Nonhuman Things: Focusing on Graham Harman’s Object-Oriented Ontologist Aesthetics
Mijung Park , Jae-Joon Lee | 2025, 76 | pp.6~23 | number of Cited : 0
Merleau-Ponty’s Phenomenology (Ⅲ): Sensory-Perceptual Practice and the Spatiality of the Body in DanceSport
Kyung-Sook Lee | 2025, 76 | pp.24~51 | number of Cited : 0
Thinking Spectators in Jesper Just’s Multi-Channel Works
So-Ra Lee | 2025, 76 | pp.52~78 | number of Cited : 0
The Inheritance of Joseon Literati Culture in Kim Yong-Jun’s Perception of Ceramics
Su-Yeon Park | 2025, 76 | pp.82~103 | number of Cited : 0
From Darwin to the Nymph: Aby Warburg’s Pathosformel and the Physics of Thought
Seung-Chol Shin | 2025, 76 | pp.104~133 | number of Cited : 0
A Study on the Concept of ‘Reflection’ in Early German Romantic Art Criticism: Focusing on Walter Benjamin’s “The Concept of Art Criticism in German Romanticism”
Koung-Aea Lee | 2025, 76 | pp.134~157 | number of Cited : 0
Understanding Interpassivity: Concept, Mechanism, and the Structure of Pleasure
Yushin Ra | 2025, 76 | pp.158~181 | number of Cited : 0
From Indexical Trace to Probabilistic Construction: The Ontological Divergence of AI Images and Photographs in Actor-Network Theory
Eun-Kwang Park | 2025, 76 | pp.182~204 | number of Cited : 0
The Poetics of Artificial Artifacts: Reading Sasha Stiles as an Activist Archivist of Generative Art
Ji-Soo Seo | 2025, 76 | pp.206~233 | number of Cited : 0