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The Inheritance of Joseon Literati Culture in Kim Yong-Jun’s Perception of Ceramics

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2025, 76(), pp.82~103
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : August 15, 2025
  • Accepted : September 11, 2025
  • Published : October 31, 2025

Su-Yeon Park 1

1경기도자박물관

Accredited

ABSTRACT

This paper explores the ceramic perception of painter and critic Kim Yong-jun, focusing on his engagement with Joseon literati culture. Influenced by his close friend, the writer Lee Tae-jun, and driven by his broader pursuit of “Koreanness,” Kim collected and experienced Joseon ceramics not merely as antiques but as a medium through which literati values were embodied. His essays, social networks, travel records to Bunwon kilns, and cover illustrations for the literary magazine Munjang reveal how ceramics were integrated into his artistic and intellectual practice. Kim favored scholar’s utensils, landscape motifs, and designs such as orchids or fish that were cherished by literati circles. In his travels to Bunwon, he interpreted ceramic landscape decorations in relation to the aesthetics of “true-view” painting and travel literature, while in collaborative writings with Lee Tae-jun he reenacted literati cultural enjoyment. His ceramic perception differed from contemporary Japanese Orientalist discourses, reflecting instead a national identity based on the autonomous reinterpretation of Korean art. Unlike Yanagi Muneyoshi’s producer-centered Mingei theory, Kim’s literati-oriented perspective was inherited by art professionals around the National Museum after liberation and contributed to discourses that bridged tradition and modernity. This study highlights his role in shaping modern Korean ceramic and art history.

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