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Merleau-Ponty’s Phenomenology (Ⅲ): Sensory-Perceptual Practice and the Spatiality of the Body in DanceSport

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2025, 76(), pp.24~51
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : August 15, 2025
  • Accepted : September 11, 2025
  • Published : October 31, 2025

Kyung-Sook Lee 1

1한국체육대학교

Accredited

ABSTRACT

This study adopts Maurice Merleau-Ponty’s phenomenology as its theoretical framework to examine how the body in DanceSport engages with the world and how space is existentially constituted through sensory-perceptual practice. Unlike traditional kinesiology, which treats the body as a functional tool, Merleau-Ponty defines it as a living subject that generates meaning in relation to others. Based on this perspective, the study explores three issues: the embodiment of spatiality, the intercorporeality of the leader-follower relationship, and the existential meaning of space. The analysis shows that the body configures space as a perceived field rather than fixed coordinates; that leader and follower co-create spatiality by attuning to subtle bodily signals; and that the stage emerges as a living space reconstituted through perception. These findings position DanceSport as an aesthetic practice that redefines the boundary between sport and art, and they provide a theoretical basis for interdisciplinary research across dance studies, philosophy of sport, and aesthetics.

Citation status

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