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The Art Aesthetics on Crazy and Weird of the Muninhwa Worked by Paldaesanin

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2017, 51(), pp.129-158
  • DOI : 10.17527/JASA.51.0.05
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Published : June 30, 2017

Kim, Doyoung 1

1예원예술대학교

Accredited

ABSTRACT

Paldaesanin(1626-1705) was born in the early Qing Dynasty in the late Ming Dynasty and lived a life of blindness. In the ruins of the war, the Paldaesanin who was a royal family from Myeong, embarked on the escape of the enemy and the new dynasty Qing, Because of this, I have become a lunatic many times. And in his strange behavior and drunkenness, he expressed his mind mainly in flowers and birds, and expressed insanely and strangely. And he created his own unique style with jumbled madness and strange lines, and he was especially influenced by Chuangtzu's artistic spirit, which symbolized the liberation spirit of clear and empty clean mind as ‘Yu’. It is probably related to several changes in his refracted life, and the madness and aesthetics with intense rebellious spirit, progressive emotion, intense personality, Became the basic feature of Paldaesanin's Muninhwa. Paldaesanin's Muninhwa of artistic landscape on Crazy and Weird is a representation of his inner insanity on paper, which is characterized by the beauty of the outside of the image through the blank or incomplete space, the beauty of the aesthetic spirit such as forgetting the image of the object and getting the meaning. The objective object corresponding to the haeuibanbak was selected and the premise of unity with self was set. And pursued the state of extreme beauty, a great technique of equivalent to simplicity, Based on the detailed observation of the subject, intuitive and immediate attention is expressed in the form of balmuksseonyeom method. In the simplicity of the script, the realness of the material is fully captured and exhilarated with the life and dynamism of the object, ‘A brief representation of complexity’ to the formative beauty. This Muninhwa art was his only refuge and liberation, expressing dissatisfaction with his uncompleted mind in the real world and expressing it against animals. The quality of his original art, which has been maintained in such a fierce rebellion and madness of the world, is rather a metaphysical state of “real painter” mentioned by Chuangtzu, a become enlightened of painting without any style or technique, no dependence of Comfortably abandon one's desires expressed artistic well. The art aesthetics on Crazy and Weird of the Paldaesanin fluenced the unique and transformational paintings of Oh Chang-seok, Jebaekseok, and It greatly influenced the flow of individual and innovative paintings of the late Joseon and modern and contemporary Korean paintings.

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