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2017, Vol.51, No.

Index Paradigm and Modification Theory in Post-photography
Pyung-jong Park | 2017, 51 | pp.3~30 | number of Cited : 4
The Return of Surrealism in the Age of Postphotography
Lee, Phil | 2017, 51 | pp.31~64 | number of Cited : 7
‘The Post-documentary’ : between Art and Politics
Jong-Chul Choi | 2017, 51 | pp.65~94 | number of Cited : 3
Ethical Problems of Death Photography in Media
Hyoungil Joo | 2017, 51 | pp.95~126 | number of Cited : 0
The Art Aesthetics on Crazy and Weird of the Muninhwa Worked by Paldaesanin
Kim, Doyoung | 2017, 51 | pp.129~158 | number of Cited : 1
Jiyu Bijutsuka Kyokai Exhibition and the Avantgarde Photography : Focused on Youngkuk Yoo
Kwon Heangga | 2017, 51 | pp.159~200 | number of Cited : 1
The Legitimacy of Pluralism of Aesthetics Focusing on Individuality and Tolerance
Bae, Ni-na | 2017, 51 | pp.201~234 | number of Cited : 0
The Pre-history of Street Film : Jacob Riis's 19th Century New York Slums Photos
Lee dohoon | 2017, 51 | pp.235~272 | number of Cited : 1
A Study for the Computer Graphics, a ‘Weltbild’ of Digital Age
Choi so young | 2017, 51 | pp.273~304 | number of Cited : 3
Mood and Contemporary Space : On the Work of SANAA and Pipilotti Rist
Seunghan Paek | 2017, 51 | pp.305~334 | number of Cited : 2
Craft as a Process and Practice : Bricolage as Framework Related to Expansion of Craft
Sae-Mi Cho | 2017, 51 | pp.335~368 | number of Cited : 5