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@article{ART002935879},
author={Sook-Hee Kim},
title={Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2023},
volume={68},
pages={82-115},
doi={10.17527/JASA.68.0.04}

TY - JOUR
AU - Sook-Hee Kim
TI - Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants
JO - The Journal of Aesthetics and Science of Art
PY - 2023
VL - 68
IS - null
PB - 한국미학예술학회
SP - 82
EP - 115
SN - 1229-0246
AB - The four gracious plants of Chinese paintings are projected with shadows through the ideas and emotions of the mind of a nobleman. A nobleman means having talent for administration in government and a righteous man in contrast with a worthless person. Among them, they were related to an attitude of atmosphere, and devoted to the king and the people as the obligations of a minister. These are personified or satirized plants, and the style of painting creates the common life of a transcendental name and reality and gain and loss, and coincides with the beauty of personality and nature and art of the elevated taste of a literary man. Also think over first of all intent rather than brush. Therefore the intention aim for suitable virtue, occur the flavor of retired life and rest, pursue beauty and comfort and delight. But the handling of a brush is so characteristic regulation of energy and mind. This is expressed poetic sentiment and meaning of drawing, united capability and inactivity and artificiality, immanent aesthetic sense. In my view, methinks multiple beauty that unity essential element and meaning of many quarters compose heaven and earth, form structure of the middle stratum, fuse into one religious ceremonies and muscical·artistical fine arts and the zen.
KW - anthropomorphism;moderation;multiple beauty;nobleman;play;taste;virtue
DO - 10.17527/JASA.68.0.04
ER -

Sook-Hee Kim. (2023). Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants. The Journal of Aesthetics and Science of Art, 68, 82-115.

Sook-Hee Kim. 2023, "Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants", The Journal of Aesthetics and Science of Art, vol.68, pp.82-115. Available from: doi:10.17527/JASA.68.0.04

Sook-Hee Kim "Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants" The Journal of Aesthetics and Science of Art 68 pp.82-115 (2023) : 82.

Sook-Hee Kim. Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants. 2023; 68 82-115. Available from: doi:10.17527/JASA.68.0.04

Sook-Hee Kim. "Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants" The Journal of Aesthetics and Science of Art 68(2023) : 82-115.doi: 10.17527/JASA.68.0.04

Sook-Hee Kim. Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants. The Journal of Aesthetics and Science of Art, 68, 82-115. doi: 10.17527/JASA.68.0.04

Sook-Hee Kim. Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants. The Journal of Aesthetics and Science of Art. 2023; 68 82-115. doi: 10.17527/JASA.68.0.04

Sook-Hee Kim. Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants. 2023; 68 82-115. Available from: doi:10.17527/JASA.68.0.04

Sook-Hee Kim. "Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants" The Journal of Aesthetics and Science of Art 68(2023) : 82-115.doi: 10.17527/JASA.68.0.04