본문 바로가기
  • Home

Interpretation of Multiple Beauty in the Paintings of the Four Gracious Plants

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2023, 68(), pp.82-115
  • DOI : 10.17527/JASA.68.0.04
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : December 15, 2022
  • Accepted : January 12, 2023
  • Published : February 28, 2023

Sook-Hee Kim 1

1영남대학교

Accredited

ABSTRACT

The four gracious plants of Chinese paintings are projected with shadows through the ideas and emotions of the mind of a nobleman. A nobleman means having talent for administration in government and a righteous man in contrast with a worthless person. Among them, they were related to an attitude of atmosphere, and devoted to the king and the people as the obligations of a minister. These are personified or satirized plants, and the style of painting creates the common life of a transcendental name and reality and gain and loss, and coincides with the beauty of personality and nature and art of the elevated taste of a literary man. Also think over first of all intent rather than brush. Therefore the intention aim for suitable virtue, occur the flavor of retired life and rest, pursue beauty and comfort and delight. But the handling of a brush is so characteristic regulation of energy and mind. This is expressed poetic sentiment and meaning of drawing, united capability and inactivity and artificiality, immanent aesthetic sense. In my view, methinks multiple beauty that unity essential element and meaning of many quarters compose heaven and earth, form structure of the middle stratum, fuse into one religious ceremonies and muscical·artistical fine arts and the zen.

Citation status

* References for papers published after 2022 are currently being built.