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Exploring History in Light of Affection: On the Concept of Affect and the Work of Im Heung-Soon

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2024, 72(), pp.144-162
  • DOI : 10.17527/JASA.72.0.06
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : April 15, 2024
  • Accepted : May 9, 2024
  • Published : June 30, 2024

Byung-Hee Lee 1

1독립연구자

Accredited

ABSTRACT

This paper discusses the (un)representability of art as an inevitable revelation of concrete reality in order to rethink history as the process of becoming and affect. For that purpose, this paper explores art’s affective potentiality and the specificity of its unrepresentability with reference to the ideas of Spinoza’s affect and affections, along with Deleuze’s interpretation and articulation of these concepts. Furthermore this paper discusses Im Heung-soon’s work as an example of art that contributes to historical affections through the restoration and reunion of relationships. Im’s community art projects capture the expressions of local Korean life that restore themselves again even after being ruined in the process of concentration in the metropolitan area and the extinction of provinces. In Sung Si (2011) and Jeju Prayer (2012-2013), Im expresses historical life as the entities of silence, death, and nature. From the perspective of affect, silence and death become an expression of shouting and life as a reversal of it. While the work may echo with the consequences of death, sacrifice, and violence in history, the sounds create a new encounter and inclusion. This constant becoming can be said to operate with the power of the affirmation of reality.

Citation status

* References for papers published after 2023 are currently being built.

This paper was written with support from the National Research Foundation of Korea.