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Anthropology of Everyday Life via Tsing and Latour: An Epistemological Turn with Artistic Practices

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2026, 77(), pp.330~354
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : December 5, 2025
  • Accepted : January 26, 2026
  • Published : February 28, 2026

Son-Young Kim 1

1과학문화연구센터

Accredited

ABSTRACT

This paper analyzes the notion of Latour’s “auto-description” and calls it everyday anthropology. It presents artworks by Chalmers and Bates as artistic practices of everyday anthropology. It ultimately demonstrates that everyday anthropology offers a way to shift our anthropocentric and human exceptionalism frameworks of thought in both theoretical and practical domains in order to overcome the climate crisis. Everyday anthropology is defined as an anthropology that makes our daily lives a field of research and explores the nonhumans surrounding us, often trivial and overlooked, yet constantly living and intertwined with humans. The anthropological methodologies of Tsing and Latour have some common points. First, they propose that noticing and attentiveness to everyday nonhuman entities serves as a starting point for a cognitive shift in an age of anxiety and fear brought about by the climate crisis. Second, they propose understanding the climate crisis not from the perspective of the entire planet or ecosystem, but through the differences in scales of time, space, and the nonhumans involved. Third, their anthropology is based on collaboration and cooperation. Finally, the art of noticing and auto-description help us realize that the world we live in is created by the mutual entanglement of humans and nonhumans, and furthermore, both humans and nonhumans are holobionts that coevolve with interdependent bonds.

Citation status

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