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Reconsidering ‘Tercet’ in Yu Kwang-chung’s Neoclassical Poetry from the Perspective of Speech-Song Artistry

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2008, (16), pp.293-320
  • DOI : 10.16874/jslckc.2008..16.016
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Published : May 31, 2008

白豊碩 1

1

Candidate

ABSTRACT

Associations of the Lotus is a significant collection of Yu Kwang-chung’s neoclassical poems, wherein Jiang Meng (Xiong Bing-ming, 1922-2002) in 1966 heralded the discussion of Yu’s “tercet”. This paper reconsiders the definition and characteristics of “tercet” in Yu Kwang-chung’s neoclassical poetry with the framework of speech-song artistry by reviewing the modernist and neoclassical perspectives of music in poetry, and raising several archetypal “tercerts” in Chinese classical poems as evidence, in the hope of throwing new light on the studies of Yu’s neoclassical poetics.

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