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From monologue to dialogue —— Qn the Qualification of Presence Talking gained by the Chinese Contemporary Ethnic Literature

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2010, (23), pp.185-200
  • DOI : 10.16874/jslckc.2010..23.009
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Published : June 30, 2010

涂 鸿 1 王 进 1

1西南民族大学

Candidate

ABSTRACT

Most ethnic regions in China are relatively self‐enclosing and mysterious. But the western culture and ideologies since 1980s has had an immense influence not only on the Chinese contemporary literature of Han, but also the ethnic literature,which is relatively self‐enclosing and has its own independent culture and existence. Surviving in the background of the world context, the ethnic literature has monologue type as well as dialogue type, and both of which are the necessary reality which can not be omitted in their confrontation. The national classic has been forced to exeunt in the world context. The spirit of World ideology is that which the ethnic literature must pursuit without hesitation if it want to gain the qualification of presence talking and be chosen to read by the foreign lands. The world ideology is the highest orientation of construction of contemporary ethnic literature. Chinese Ethnic Literature, the first time ever foreign culture and thought in the West under the influence of modern consciousness produced by the analysis and research, and thereby demonstrate that they possess the unique character of literature and art as well as their unique position art of communication, will be a very meaningful.

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