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Freehand Brushwork in Traditional Chinese Cultural Ideal about Rural Ecology - Chinese Poetic Writing And Reality Freehand Brushwork about “Border Town” And “Shang Zhou”

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2015, (39), pp.355-375
  • DOI : 10.16874/jslckc.2015..39.014
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Published : October 31, 2015

Zhu Ling 1

1中国山东大学

Accredited

ABSTRACT

Shen congwen and Jia pingwa are full of preference and bakeries in rural ecological world xiangxi and shangzhou. There is the modern thinking to the development of human civilization and the profound reflection of the national culture psychology. Shen congwen used in poetic discourse writing rural ecological against urban decay, indifference and evil; while jia pingwa is trying to free from the era mainstream discourse and get rid of the control the text by the ideology,so as to build the idea of a “holy land”. They played the role of successor of the Chinese traditional aesthetics and aesthetic ideal and future oriented culture pioneer. At the same time they resolutely resist the ills of modern urban civilization bringing to pollution and invasion for the pure local. They write “the spirit of the earth” in poetic aesthetic spirit,at the same time cling to the moral order of traditional culture in the rural world.

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