2015, Vol., No.39

In China, There has been a tale fablous and privailing from ancient till now. It was a story about Li Bai and Cui Hao, both were famous classic chinese poetics. That old tale retailed a scandal of fablous poet Li Bai. According that story, Li Bai had visited the Yellow crane tower and had tried to leaving his poetry on that tower. But he happened to strike the poetry of Cui Hao, ‘Yellow crane tower’ already remaining on the tower, and he could not help leaving the tower without making poetry. He could not fogget this affair and had grudge on Cui Hao and his poetry without appropriate reason. Finally Li Bai had plagiarized ‘Yellow crane tower’ and writed his poems, famous but notorious for his plagiarism, ‘Ascending Phoenix tower’ and ‘Parrot sandbank’ to revenge his mental shame. In spite of popularity of that story, it’s just a kind of anecdote of tourist attraction now. But lthough this ridiculos rumor of scandal had no reliable ground but had many internal contradictions, that tale might have suggest that possible context of Li Bai’s poetic mind. so that commitment of plagiarism signfied the critical change of his point of view on the meaning and metaphor of Yellow crane tower in his poetry. In Li Bai’s youths, Yellow crane tower was a symbol of hope and success to him. It was a place from where the immortal had flied and ascended to heaven riding on yellow crane. but in his old stage, through many experiences of failure and frustration, he had realized that there had been no flying crane ever on that tower during his miserable life. Yellow crane tower had becomed an emblem of discouragement to him, that old poet. There has been no yellow crane riding him to heaven(meant the honor of high goenment position). It had been absent for almost 1000 years according to the exaggeration of Cui Hao. The absence of crane in Yellow crane tower seemed fateful to these ancient chinese poets, and that situation was equivalent to that absence of phoenix in phoenix tower and absence of parrot in parrot sandbank, so the plagiarism made by Li Bai actually was an expression or a confession that Li Bai had fully sympathized with Cui Hao. The literary image of ‘Yellow crane tower’ of the poem of Cui Hao could be located between those liteary images of ‘Yellow crane tower’ of the poems of Li Bai as time advanced through his entire lifetime.

A Study on Stories of Buddhist Gods in Da-Tang-Xi-Yu-Ji

SONG YUN MI | 2015, (39) | pp.265~298 | number of Cited : 0

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Study on Domesticating Translation Strategies of Chinese Christian Translation Fictions in Late Qing Dynasty, Hong Zhu Ru Zhuan, Yu Dao Yao Zhi and Wu Geng Zhong

Soon-Bang Oh | 2015, (39) | pp.299~330 | number of Cited : 0

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A study on evolution of Zhang Henshui’s writing style over 1930’s focusing on novel “Ye Shen Chen (Deep Night)”

JUNGKEOYUL | 2015, (39) | pp.331~354 | number of Cited : 0

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Freehand Brushwork in Traditional Chinese Cultural Ideal about Rural Ecology - Chinese Poetic Writing And Reality Freehand Brushwork about “Border Town” And “Shang Zhou”

Zhu Ling | 2015, (39) | pp.355~375 | number of Cited : 0

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The status and prospect on the study of the Silk road in Korea

Kim, Hyun-Ju , Bae Gyoung Jin | 2015, (39) | pp.379~396 | number of Cited : 1

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This report has examined the major scholars and the studies about the status done on the research for the Silk road, which has been divided into three periods. In consequence of checking the National Assembly of the Republic of Korea and the search engines “DBpia” and “KISS”, we could understand that the study had started from the consecutive publication named 『The Silk Road』. Accordingly, we consider that the starting point of the study is the 1950s in Korea and classify the time into the 1st period(germinal stage) by 1990, the 2nd from 1990 to 2005 whose amount of the study grew rapidly and then the 3rd from 2006 till now. These periods have the below characters respectively. The main current in the 1st period is the study on the history and culture through the Silk road, which is headed by Dr. Go Byeong-ik, the president in the Seoul National University. In the 2nd period, the Silk road is connected to the existing studies like the fields of art, economy and trade and researched. There are much diversification and achievement on the studies despite the short span of 15 years during this time. In the 3rd period, the range and the quantity on the studies are advanced. Related to the international exchange, trade and transportation, ‘the Iron Silk rad’ or ‘the Marine Silk road’ is emphasized specially in this time, whose significance is on the super-national and azonic globalization. And, we understand there is the academic achievement not by related science but by genuine science regarding the study for the Silk road. Finally, we suggest that the various approach, constant question raising and profound study should be done, the genuine science be established on the Silk road henceforward and it contribute to the understanding for the key principle and major spirit about the cultural exchange between regions. For this, we consider the establishment of the genuine science is needed on the study about the Silk road and the diversity on the range and means must be searched for the study persistingly in the future.

The study on the Confucian scholars Viewpoint of Feng Shui in Song dynasty-Focused on Cheng Zi, Zhu Zi, Cai Fa

김혜정 | 2015, (39) | pp.397~418 | number of Cited : 4

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Chinese Leaders’ Diplomatic Rhetoric and its Power

CHUNG DAHOON , Kim,Geun | 2015, (39) | pp.419~454 | number of Cited : 0

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Korean P’ansori in Yanbian: Transmission, Development, and Preservation

Li Zihan | 2015, (39) | pp.455~486 | number of Cited : 0

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KJCKorea
Journal Central

The Journal of Study on Language and Culture of Korea and China 2023 KCI Impact Factor : 0.38

2015, Vol., No.39