@article{ART002043652},
author={Li Zihan},
title={Korean P’ansori in Yanbian: Transmission, Development, and Preservation},
journal={The Journal of Study on Language and Culture of Korea and China},
issn={1738-0502},
year={2015},
number={39},
pages={455-486},
doi={10.16874/jslckc.2015..39.018}
TY - JOUR
AU - Li Zihan
TI - Korean P’ansori in Yanbian: Transmission, Development, and Preservation
JO - The Journal of Study on Language and Culture of Korea and China
PY - 2015
VL - null
IS - 39
PB - Korean Society of Study on Chinese Languge and Culture
SP - 455
EP - 486
SN - 1738-0502
AB - P’ansori is a form of Korean narrative song typically performed by a solo singer/narrator accompanied by a drummer. The performance genre has become part of the cultural tradition of the Korean diaspora in Yanbian, China following the immigration of Korean people to China during the early 20th century. While p’ansori performances in Korea and China have been explored in depth by scholars from respective countries, few studies have directly compared and contrasted Korean p’ansori with Yanbian p’ansori. The major role that culture and society played in shaping the performance tradition as it spread from one community to another also failed to receive considerable academic attention. This article seeks to address these issues by examining the origin and development of p’ansori as well as its process of transmission to Yanbian.The influence of Neo-Confucianism on the content and repertoire of p’ansori performance during its heyday in Joseon Korea is discussed, as well as how culture and aesthetics have changed the preference of performers and audience in terms of timbral qualities, music structure, and performance style. In addition, the study considers the status quo and problems faced by p’ansori in China and the future of p’ansori protection in the digitized media age, stressing the necessity of education and innovation, the need for cultural communication, and the importance of balancing past, present, and future.
KW - p’ansori;Korean ethnic group in China;Neo-Confucianism;musical structure and performance style of p’ansori;preservation of folk performance
DO - 10.16874/jslckc.2015..39.018
ER -
Li Zihan. (2015). Korean P’ansori in Yanbian: Transmission, Development, and Preservation. The Journal of Study on Language and Culture of Korea and China, 39, 455-486.
Li Zihan. 2015, "Korean P’ansori in Yanbian: Transmission, Development, and Preservation", The Journal of Study on Language and Culture of Korea and China, no.39, pp.455-486. Available from: doi:10.16874/jslckc.2015..39.018
Li Zihan "Korean P’ansori in Yanbian: Transmission, Development, and Preservation" The Journal of Study on Language and Culture of Korea and China 39 pp.455-486 (2015) : 455.
Li Zihan. Korean P’ansori in Yanbian: Transmission, Development, and Preservation. 2015; 39 : 455-486. Available from: doi:10.16874/jslckc.2015..39.018
Li Zihan. "Korean P’ansori in Yanbian: Transmission, Development, and Preservation" The Journal of Study on Language and Culture of Korea and China no.39(2015) : 455-486.doi: 10.16874/jslckc.2015..39.018
Li Zihan. Korean P’ansori in Yanbian: Transmission, Development, and Preservation. The Journal of Study on Language and Culture of Korea and China, 39, 455-486. doi: 10.16874/jslckc.2015..39.018
Li Zihan. Korean P’ansori in Yanbian: Transmission, Development, and Preservation. The Journal of Study on Language and Culture of Korea and China. 2015; 39 455-486. doi: 10.16874/jslckc.2015..39.018
Li Zihan. Korean P’ansori in Yanbian: Transmission, Development, and Preservation. 2015; 39 : 455-486. Available from: doi:10.16874/jslckc.2015..39.018
Li Zihan. "Korean P’ansori in Yanbian: Transmission, Development, and Preservation" The Journal of Study on Language and Culture of Korea and China no.39(2015) : 455-486.doi: 10.16874/jslckc.2015..39.018