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Regional and Chinese Acient Women Writers' PoetryⅠ- Focusing on Li Qingzhao(李淸照) from Shandong Sheng(山東省) and Xue Tao(薛濤) from Sichuan Sheng(四川省)

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2022, (65), pp.205-231
  • DOI : 10.16874/jslckc.2022..65.007
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Received : July 10, 2022
  • Accepted : August 20, 2022
  • Published : August 31, 2022

yunhyeji 1

1한국외국어대학교 중국연구소

Accredited

ABSTRACT

This study tried to examine Li Qingzhao and Xue Tao's regional literary space from the viewpoint of literary geography. Li Qingzhao's Ci(詞) writing motive hungered for reason of the ‘flow’ contained by water and alcohol from Shandong and ‘existential consciousness’ which makes her hometown soil, that is, true life. The main motive of Xue Tao's poetic creation ‘hungered for’ what she could not accomplish by being conscious of lack in a fertile land of Chengdu. And as regional literature, Li Qingzhao's Ci(詞) represents collective emotions called ‘existential consciousness’ or ‘desire for restoration of identity’ of the writers from Shandong who fled to the south and especially, it is based on delicate sensibility of the ‘flow’. But as regional literature, Xue Tao's poetry(詩) makes ‘thirst’ and ‘worldly wisdom’ of the prostitute from Sichuan who could not have what she wanted in spite of having an instinct for everything in the fertile land a subject. For this reason, Xue Tao builds a firm self-image like bamboo trees in Sichuan from beginning to end in her works.

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This paper was written with support from the National Research Foundation of Korea.
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