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The aim of this paper is to examine the characteristics of the nameless items in Cheongguyeongeon(靑丘永言) in terms of performing arts(Gagokchang). Until now, most researchers that the nameless items reflects the reality of Gagok performance in Seoul and they was added for content classification purpose. One of the important feature of is Cheongguyeongeon is to be classified the works by music. And the musical classification was need to organize a series of performance composed of several tones. The current Gagok performances is opened with First-sakdaeyeop(初數大葉) and go to calm and slow Second-sakdaeyeop(二數大葉). And the musical mood are increased when go to the Third-sakdaeyeop(三數大葉). When the tunes are converted to Rong(弄) and Rak(樂), Pyeon(編), as the performance progresses, the speed of music increases, and the amusing and exiting atmosphere are increased. And the performance are finished with a slow <Taepyungga> In this paper, I examined the theme of amusement in relation to the progress of the performance. As a result, I found that the nameless items in Cheongguyeongeon is closely related to the composition of Gagok performance. Therefore, the nameless items were not just for classifying contents but was designed for performance.

Cheongguyeongeon, Nameless item, Gagok, a set of Gagok chang, amusement, First-sakdaeyeop(初數大葉), Second-sakdaeyeop(二數大葉), Third-sakdaeyeop(三數大葉), Rak sijo(樂時調), Manheongchungryu(蔓橫淸類)