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@article{ART002571643},
author={Eunjung Rho},
title={‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty},
journal={JOURNAL OF CHINESE STUDIES},
issn={1229-3806},
year={2020},
number={67},
pages={57-80},
doi={10.26585/chlab.2020..67.003}

TY - JOUR
AU - Eunjung Rho
TI - ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty
JO - JOURNAL OF CHINESE STUDIES
PY - 2020
VL - null
IS - 67
PB - CHINESE STUDIES INSTITUTE
SP - 57
EP - 80
SN - 1229-3806
AB - China’s pastoral poetry have been enriched since the Tang Dynasty, because of Tao Yuanming’s pastoral poetry that sang the joys of the rural life and the Yuan Zhen’s pastoral poetry that sang the pains of the rueal life. In the Song Dynasty, as the material in pastoral poetry became various and fresh due to the vogue for Neo-Confucianism, the contents became more abundant. The poet who packed the poems that became rich in that period and presented them as works, is Fan Chengda. According to Quan Zhongshu’s evaluation, Fan Chengda’s “Four pastoral” is the collectiveness of pastoral poetry, harmonizing the various contents of traditional pastoral poetry to show their characteristics. While singing the beautiful scenery of the rural life and the various farming work in that rural area, Fan Chengda did not turn away from the voices of who living there. He included social poetry which sang all the pains of the rural life in the category of pastoral poetry, which sang the idyllic rural life and reclusion. This is the result of his efforts and practices, who have constantly cared for society and people and dreamed of a power to coexist together. Therefore, rural area of Fan Chengda became a rural areas that combines realistic rural areas, subjectively idealized rural areas, and objective rural areas.
KW - Fan Chengda;pastoral poetry;Four pastoral;Quan Zhongshu;Selected Poetry of Song Dynasty
DO - 10.26585/chlab.2020..67.003
ER -

Eunjung Rho. (2020). ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty. JOURNAL OF CHINESE STUDIES, 67, 57-80.

Eunjung Rho. 2020, "‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty", JOURNAL OF CHINESE STUDIES, no.67, pp.57-80. Available from: doi:10.26585/chlab.2020..67.003

Eunjung Rho "‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty" JOURNAL OF CHINESE STUDIES 67 pp.57-80 (2020) : 57.

Eunjung Rho. ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty. 2020; 67 : 57-80. Available from: doi:10.26585/chlab.2020..67.003

Eunjung Rho. "‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty" JOURNAL OF CHINESE STUDIES no.67(2020) : 57-80.doi: 10.26585/chlab.2020..67.003

Eunjung Rho. ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty. JOURNAL OF CHINESE STUDIES, 67, 57-80. doi: 10.26585/chlab.2020..67.003

Eunjung Rho. ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty. JOURNAL OF CHINESE STUDIES. 2020; 67 57-80. doi: 10.26585/chlab.2020..67.003

Eunjung Rho. ‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty. 2020; 67 : 57-80. Available from: doi:10.26585/chlab.2020..67.003

Eunjung Rho. "‘Wollyeongga’ with Joy and Pain: Analysis of Fan Chengda’s “Four pastoral” through the Review of Selected Poetry of Song Dynasty" JOURNAL OF CHINESE STUDIES no.67(2020) : 57-80.doi: 10.26585/chlab.2020..67.003