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A Problematic Reenactment of ‘Korean-Chinese’ and ‘Daerim-dong’ in the Film “Midnight Runners”

  • JOURNAL OF CHINESE STUDIES
  • 2020, (69), pp.269-291
  • DOI : 10.26585/chlab.2020..69.011
  • Publisher : CHINESE STUDIES INSTITUTE
  • Research Area : Humanities > Chinese Language and Literature
  • Received : July 31, 2020
  • Accepted : August 28, 2020
  • Published : September 30, 2020

Shin-dongsoon 1

1숙명여자대학교

Accredited

ABSTRACT

This paper tries to analyze how hate speech that causes discomfort and alienation in the “Midnight Runners” film, and the point and meaning of hate expression in the ‘Korean-Chinese’ and ‘Daerim-dong’ spaces that the film reproduces. The movie is starring police college students Ki-joon and Hee-yeol, and the film follows their gaze and it recreates hate speech ‘Korean-Chinese’. Reproduces the ‘Korean-Chinese’ aversion through Yoon-jung’s abduction and ova over-injections, organ trafficking, group assault and chase, gynecological ova extraction and mass fighting. It also recreates Daerim-dong as a place where criminals who should be deported live, not as a space in Seoul. It strengthens heterogeneity and causes fear. Surrounded by the Chinatown in Daelim-dong, ‘Daerim Station Exit 12’ is reproduced as a crime-maximizing space. With Dorim-ro in front of Exit 12 of Daelim Station in between, it is divided into ‘Korean-Chinese’ streets, which are spaces of day and night, creating boundaries and producing a sense of disgust. This paper examined how the point of ‘Korean-Chinese’ crime and the ‘Korean-Chinese’ space in Daerim-dong are distorted and compartmentalized at which point according to the development of the narrative.

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