2006, Vol., No.14

Journal of Korean Literature 2023 KCI Impact Factor : 0.62

pISSN : 1598-2076
https://journal.kci.go.kr/kukmun

Aspects of Daily Characteristics on Sadaebu-gasa in 18～19th Century - Keep an Eye on the Theme of Old Age, Women, Family Park, Kyeong-ju This thesis pointed on the daily characteristics on Sadaebu-gasa(사대부가사) in 18～19th century. Especially this thesis pays attention to the theme of old age, women, family out of various daily characteristics. And for the purpose of this thesis three sadaebu writers in 18～19th C. were selected.: Gu Gang(구강), Hong Won-jang(홍원장), and Wi Baek-gyu(위백규). The three writers are classified Capital Sadaebu(경화사족), Youngnam countryside Sadaebu(영남향촌사족), and Honam countryside Sadaebu(호남향촌사족) respectively in accordance with the class. Gu Gang handed down the works of ꡔBugsaegog(북새곡)ꡕ, and fourteen works were recorded in them. Hong Won-jang handed down two works which was named <Sangsimhwajenga(상심화전가)> <Johwajenga(조화전가)> in ꡔJabrok(잡록)ꡕ worked by a woman writer, Andong Kwonssi(안동권씨). Wi Baek-gyu handed down <Jahoyga(자회가)> in his the works ꡔJonjaejip(존재집)ꡕ. As a result of study on the works of three Sadaebu writers, the composure and the contemplation are appeared on the works of Gu Gang, and the humor and the sorrow are appeared on the works of Hong Won-jang. Also the sorrow and the Confucian ideology are appeared on the work of Wi Baek-gyu.

The Routineness Appearing in Pansori Jeong, Choong-kwon This paper tries to investigate the routineness appearing in the five Pansori works transmitted so far, and find its meaning. Pansori often approaches the audience by revealing routineness as familiarity and repetition, when the audiences greatly express sympathy with the situations in the play because they are frequently observed in neighbors. Especially, the insertion of related songs contributes to the enhancement of sympathy. Thus, the representation of routine in Pansori can be said to be a mechanism for sympathy aiming the audiences, who live a similar life with the characters in the play. However, more significant in the view at that time are the routine as survive, and the routine revealed as a problem of the real through the destruction by the external power. While it becomes a play in <Heungbo-ga>, the routine in <Jeokbyeok-ga> exists in the memory to be reminded by nameless soldiers. In the latter, the routine destroyed by the external power, and thus revealed as a problem of the real is depicted. The routine depicted in this way must contain significant questions.

A Study on Daily Life and the Meaning Of the Late Joseon Literary Man Kim, Nam-ki This thesis is an inquiry into daily life and meaning of the late Joseon literary man's diary, letter, etc. Yoon Choi-sik and Shim Yek presented the daily routine of the late Joseon literary man. Yim Young and Yu Man-ju wrote down the attitude of keeping a diary. Their recordings stressed on self-examination and encouragement. Writings of Kim Chang-heup, Min U-sam, Choi Heung-won, Lee Deok-mu, Park Je-ga reflected disorder of Samjeong and the attitude of a governor, the aim and effect of Segye, article on the process and expense of a funeral ceremony, the style of Shim Sa-jeong's paintings and criticism of those days painting style, new discoveries from window paper and gravel.