@article{ART001665900},
author={Yeo, Woon-pil},
title={Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”},
journal={Journal of Korean Literature},
issn={1598-2076},
year={2012},
number={25},
pages={39-73}
TY - JOUR
AU - Yeo, Woon-pil
TI - Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”
JO - Journal of Korean Literature
PY - 2012
VL - null
IS - 25
PB - The Society Of Korean Literature
SP - 39
EP - 73
SN - 1598-2076
AB - Yisaek's “Song about the Cheonbo Period(天寶歌)” as an eminent work among Baekryang style(柏梁體) poems as seven letters archaistic poem(七言古詩) in early Korea was an excellent poem expressing historical materials with merits of old fashions. The three pieces of “Song for a Post Confucianist Taoist Hermit(後儒仙歌)” written by Ikjae Yijehyeon(益齋 李齊賢), Geupam Minsapyeong(及菴 閔思平) and Mogeun Yisaek(牧隱 李穡) for cherishing Jolong Choihae(拙翁 崔瀣) are fine regular Baekryang style poems altogether. Those were products by taking recognition of Jolong as a post Confucianist Taoist hermit.
“Song for a Post Confucianist Taoist Hermit” written by Ikjae and Geupam's arearchaistic style, and lacking in openhearted sprit and undulations of stroke. And its literary embellishments are not magnificent, and unfolding technic are loose a little too. Therefore those are able to be estimated as fine pieces, not to be estimated as masterpieces.
Mogeun's “Song for a Post Confucianist Taoist Hermit” is an archaistic and newly style together. It has openhearted sprit, righteous emotions, stout broke and splendid literary embellishments. And it's unfolding technic is in order, and the close is in sympathy with the beginningl well. Therefore this work is able to be estimated as masterpieces.
KW - Baekryang style;“Song about the Cheonbo Period”;Confucianist Taoist hermit;Jolong Choihae;“Song for a Post Confucianist Taoist Hermit”;Ikjae Yijehyeon;Geupam Minsapyeong;Mogeun Yisaek
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ER -
Yeo, Woon-pil. (2012). Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”. Journal of Korean Literature, 25, 39-73.
Yeo, Woon-pil. 2012, "Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”", Journal of Korean Literature, no.25, pp.39-73.
Yeo, Woon-pil "Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”" Journal of Korean Literature 25 pp.39-73 (2012) : 39.
Yeo, Woon-pil. Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”. 2012; 25 : 39-73.
Yeo, Woon-pil. "Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”" Journal of Korean Literature no.25(2012) : 39-73.
Yeo, Woon-pil. Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”. Journal of Korean Literature, 25, 39-73.
Yeo, Woon-pil. Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”. Journal of Korean Literature. 2012; 25 39-73.
Yeo, Woon-pil. Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”. 2012; 25 : 39-73.
Yeo, Woon-pil. "Baekryang Style and Three Pieces of “Song for a Post Confucianist Taoist Hermit”" Journal of Korean Literature no.25(2012) : 39-73.
