KJCKorea
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The aim of this article is to research the response to the <Cheollyungga(鐵嶺歌)> sung by Lee Hangbok. There are sorrow and tears to monarch in <Cheollyungga> as a Sujoga(水調歌). One aspect of response is feeling anxiety about the dejection of spirit, being brought by Lee Jeonggu. The other aspect of response is to prise the devotion and never forgetting to monarch , being brought by Song Siyeol. The one aspect of response is related to the attitude of a subject, being connected with the attitude of Gulwon(屈原) to King Whoi(懷王) in Cho(楚) Dynasty. The other aspect of response is related to the attitude of monarch, being connected with the attitude of the emperor Shinjong(神宗) to So Dongpa(蘇東坡) in Song(宋) Dynasty. An attitude of feeling anxiety about the dejection of spirit is taking root in the reading experience of a learned man. A learned man has to control his mind consistently being at a crisis, for example exile. He has to express his generous heart, and doesn't have to express his sorrow and grudge and so on. An attitude to prise the devotion and never forgetting to monarch is taking root in the toleration of the monarch to a subject. In this case, there are turnover political situations. So a new governor take guide new paradigm to the benefit of his party. An attitude of feeling anxiety about the dejection of spirit is continue in the first half period in 17th century, and a turnover political attitude was repealed in the second half period in 17th century. In Conclusion, we are able to classify the attitude to respect to Kagok as feeling anxiety about the dejection of spirit and the devotion and never forgetting to monarch.

<Cheollyungga(鐵嶺歌)>, Lee Jeonggu, dejection of spirit, Song Siyeol, Gulwon, So Dongpa, Sujoga, the attitude of a`subject, the attitude of monarch