KJCKorea
Journal Central

The Namin poets' tradition of a hundred rhymes elegy come from Hiam Chae Paeng-yoon's poem had condoled with Songgok Yi Seo-woo in the early eighteenth century is a great queer event in the history of Sino-Korean poetry. The existence of a hundred rhymes elegy become known written by Namin poets only. But the fact that a work by a Noron poet was solemnly is worth notice. <The Elegy for the Keonneung> is a hundred rhymes elegy written by Seokjae Yun Haeng-im. This poem is worth checking for the reason of a work written by Noronsipa poet and also that of a condoling the King Jeongjo clearly. This thesis is a research for translation with notes and a critical study for characteristics of form and contents in it. By checking formal apparatus, meaning structure and expressive merits, this long poem as seven letters Baeyeul is worth being estimated an excellent work with fulfilling the nessesary conditions for not only as an general elegy but also as a monody for condoling a great king.

a long piece Baeyul, hundred rhymes elegy, Seokjae Yun Haeng-im, The Elegy for Keonneung, the King Jeongjo, an exellent work