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The Place Identity of the Royal Palace Changgyeonggung(昌慶宮) and the Possibility to Use Cultural Contents

  • Journal of Korean Literature
  • 2018, (38), pp.273-313
  • DOI : 10.52723/JKL.38.273
  • Publisher : The Society Of Korean Literature
  • Research Area : Humanities > Korean Language and Literature
  • Received : September 30, 2018
  • Accepted : November 10, 2018
  • Published : November 30, 2018

Koo, Seul-Ah 1

1서울대학교

Accredited

ABSTRACT

This paper aims to explore the possibility of modernization of Chinese literature through poetry related to the palace, which is a result of combining classical Chinese literature with high-end culture. Among the four palaces[Gyeongbokgung(景福宮), Changdeokgung(昌德宮), Changg yeonggung(昌慶宮), Deoksugung(德壽宮)] of Chosun, the Changgyeonggung has the least number of visitors. So I analyzed the poetry of Changgyeonggung Palace. Changgyeonggung has a place identity called 'Space for filial piety(孝)' and 'A palace where various stories live'. In this paper, I explored the new cultural identity of Changgyeonggung. The results are as follow. The distinctive characteristic that Changgyeonggung is distinguished from other palaces is that first, it is a palace of frank size. Second, it is a space where the prince studies the prince's discipline before he succeeds the throne. Third, The landmark in Changgyeonggung can be restored first by linking it with other natural scenery themes, for example, Hwanchijeong(環翠亭). The cultural identity of Changgyeonggung is complemented with the touristic and cultural contents of Changgyeonggung such as strengthening the education of the commentator, developing a detailed tour course, preparing an experience course in which the father and the child participate together, as exhibits linked with cultural properties and possibility of restoration through Augmented Reality(AR).

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