@article{ART002900397},
author={KWAK BOMI},
title={The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon},
journal={Journal of Korean Literature},
issn={1598-2076},
year={2022},
number={46},
pages={85-110},
doi={10.52723/JKL.46.085}
TY - JOUR
AU - KWAK BOMI
TI - The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon
JO - Journal of Korean Literature
PY - 2022
VL - null
IS - 46
PB - The Society Of Korean Literature
SP - 85
EP - 110
SN - 1598-2076
AB - Banghanlimjeon has been noted, because it has no male character and the marriage between two women. In view of the genre convention of heroine narrative, it has been antithetically evaluated. However, there are two problems: 1)The marriage between two women is the motif commonly found in Heroine Narrative. 2)Banghanlimjeon is discussed without specific standards of the genre convention of heroine narrative.
In fact, if there are motifs generally used between the narratives, it’s possible to assume that these belong in the same category. Actually, there are primary motifs & narrative patterns in the heroine narrative. It means Banghanlimjeon is based on the genre convention of heroine narrative. However, the changes of bond order and position of primary motifs in the epic make differences.
The important thing, these changes are caused by an author who has a critical mind. It is supported by using same-sex marriage and setting antagonist, Joo Yu-Rang, who has a typical character in the heroine narrative. Above all, Yeong Hye-bing is recreated from the female characters who are ruled out of marriage. She comes out of them who are reproduced by the patriarchal system and Confucianism. With this, the same-sex marriage is becoming a solidarity between women who want to live each gender role without patriarchal control.
In the end, Banghanlimjeon is created by an author who has a critical mind of the genre convention of heroine narrative.
KW - Heroine Narrative;Genre Convention;Motif;Narrative Pattern;Same-Sex Marriage;Banghanlimjeon
DO - 10.52723/JKL.46.085
ER -
KWAK BOMI. (2022). The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon. Journal of Korean Literature, 46, 85-110.
KWAK BOMI. 2022, "The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon", Journal of Korean Literature, no.46, pp.85-110. Available from: doi:10.52723/JKL.46.085
KWAK BOMI "The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon" Journal of Korean Literature 46 pp.85-110 (2022) : 85.
KWAK BOMI. The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon. 2022; 46 : 85-110. Available from: doi:10.52723/JKL.46.085
KWAK BOMI. "The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon" Journal of Korean Literature no.46(2022) : 85-110.doi: 10.52723/JKL.46.085
KWAK BOMI. The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon. Journal of Korean Literature, 46, 85-110. doi: 10.52723/JKL.46.085
KWAK BOMI. The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon. Journal of Korean Literature. 2022; 46 85-110. doi: 10.52723/JKL.46.085
KWAK BOMI. The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon. 2022; 46 : 85-110. Available from: doi:10.52723/JKL.46.085
KWAK BOMI. "The Genre Convention of Heroine Narrative and Feministic Views of Banghanlimjeon" Journal of Korean Literature no.46(2022) : 85-110.doi: 10.52723/JKL.46.085
