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2012, Vol.25, No.2

A Critical Analysis of Staging in the Korean Production of M. Butterfly (2012)
Je Hye Kim | 2012, 25(2) | pp.5~31 | number of Cited : 2
George's Choice: Business Ethics Issue and American Values in The City
Jungman Park | 2012, 25(2) | pp.33~63 | number of Cited : 0
Reading Bernard Shaw's Heartbreak House: Who Does Save the Country?
Yeong-Yoon Seo | 2012, 25(2) | pp.65~91 | number of Cited : 1
Post-Feminist Politics of Emotion in Sarah Kane's Blasted and 4.48 Psychosis
Jung-Soon Shim | 2012, 25(2) | pp.93~120 | number of Cited : 4
Mrs Warren’s Profession: Shaw and Marx’s Criticism of Capitalism
Eom Tae-yong | 2012, 25(2) | pp.121~160 | number of Cited : 2
Power of Gaze and Space in Suzan-Lori Parks' THE VENUS
Yu,Sung-Yi | 2012, 25(2) | pp.161~187 | number of Cited : 2
Habitus Represented by Body in Pygmalion
So Young Yoon | 2012, 25(2) | pp.189~213 | number of Cited : 6
Adrienne Kennedy’s A Lesson in Dead Language: A Narrative Battle over the Meaning of Women’s Bleeding.
Lee,Insoo | 2012, 25(2) | pp.215~242 | number of Cited : 0
Another Part of Whiteness: A New Culture Beyond Left and Right
Seung-hye Joo | 2012, 25(2) | pp.243~263 | number of Cited : 1