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Imperfect Memory, Forgetting, and the Ethics of Prosthetic Memory: Ayad Akhtar’s McNeal

  • Journal of Modern English Drama
  • Abbr : JMBARD
  • 2026, 39(2), pp.113~142
  • Publisher : 한국현대영미드라마학회
  • Research Area : Humanities > English Language and Literature > English Literature > Contemporary English Drama
  • Received : July 25, 2026
  • Accepted : August 10, 2026
  • Published : August 31, 2026

Lee, ranhee 1

1동국대학교

Accredited

ABSTRACT

Ayad Akhtar’s play McNeal (2024), which dramatizes the life of Jacob McNeal—a playwright who uses artificial intelligence to write plays in the near future, illustrates the sharp dilemma of modern society regarding how to handle private memories in an era where there is hope that technological prosthetics can preserve, replicate, and even enhance memories. The work culminates in a conflict as McNeal, a Nobel Prize-winning author, uploads his deceased wife’s diary into a language model and instructs it to extract and rewrite the content in the ‘Jacob McNeal style.’ This paper aims to analyze McNeal through discussions on Paul Ricoeur’s ‘Narrative Identity’ and ‘Ethics of Memory’, as well as Bernard Stiegler’s ‘Pharmakon’—a perspective that views technology as a drug—and ‘epiphylogenesis’—descriptive memory as externalized memory. By juxtaposing Ricoeur’s emphasis that narrative memory demands moral deliberation and consideration for others with Stiegler’s view that descriptive memory simultaneously expands and impoverishes human individuality, this paper seeks to demonstrate how the dramatic techniques shown in Akhtar’s McNeal stage the ethical demands of memory and the structural limitations of correction in the era of prosthetic memory.

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