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Considering Letters as a Historical Text and Women’s Representation

Oh Ye Ji 1

1서울대학교

Accredited

ABSTRACT

Expanding Gayatri Chakravorty Spivak’s reading of Jeffery Birtch’s letter in A Critique of Postcolonial Reason: Toward a History of the Vanishing Present, this article argues that female letter-writing is different from male letter-writing in that it constructs subjectivity of Women that defies the patriarchal colonial regime by using its social decorum. According to Spivak, a man’s letters allow him to become a “representative image” of colonial subject within a historical context. Letters are private, but also paradoxically represent the writers’ social ego. I find that it is not only in the case of letters written by a white male colonial subject but also Daniel’s letter, working as a native informant, plays a pivotal role in supporting Rochester and making himself a colonial subject in Jean Rhys’s Wide Sargasso Sea. Daniel’s letter also redefines Antoinette’s personal history. In contrast with Daniel’s letter, Rebecca’s letter in Toni Morrison’s A Mercy subverts the social definition of women by vacuating the stereotypical meaning of woman that is expected to be reflected in a letter. Furthermore, I argue that Florens’s letter has its potential resistance to patriarchy complicit with colonialism for it is written in the Jacob’s house which was built within the colonial structure.

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