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Minimalism as a Style of Reparation and Anxiety

  • Journal of Humanities, Seoul National University
  • 2024, 81(4), pp.483-509
  • DOI : 10.17326/jhsnu.81.4.202411.483
  • Publisher : Institute of Humanities, Seoul National University
  • Research Area : Humanities > Other Humanities
  • Received : July 23, 2024
  • Accepted : August 7, 2024
  • Published : November 30, 2024

Kim Jungha 1

1서울대학교

Accredited

ABSTRACT

This article explores the relationship between critical minimalism and minimalist style. Critical minimalism, or reparative reading, is a key hermeunetic method in 21st -century criticism. It seeks affective knowledge that finds relief in suspension from history, reducing the scale of critique. How, then, might the style of minimalism, which has built its own aesthetic history since the early 20th century, provide insight into critical minimalism? The paper focuses on 1970s-80s American minimalist literature, analyzing how its conservatism, shaped by compromise and reparation, ultimately reaffirmed domestic white supremacy and international American exceptionalism. Raymond Carver’s short stories illustrate these discussions. However, a closer look at repetition in Carver’s works reveals an underlying anxiety that resists the logic of reparation, highlighting minimalism’s dialectical movement. The conclusion suggests that critical minimalism can “style” criticism by historicizing the language of reparation and reflecting on the anxiety within its rupture.

Citation status

* References for papers published after 2023 are currently being built.